Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny)
The cinematic scenes of the Last Supper were treated as a challenge to visual theology. As the Last Supper, which in the films about Jesus of Nazareth (and, of course, the gospels) is the culmination (and also a turning point as an event ending Jesus` earthly activity), it is possible to see the es...
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| Format: | Article |
| Language: | English |
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Adam Mickiewicz University Press
2021-12-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/30588 |
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| author | Iwona Kolasińska-Pasterczyk |
| author_facet | Iwona Kolasińska-Pasterczyk |
| author_sort | Iwona Kolasińska-Pasterczyk |
| collection | DOAJ |
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The cinematic scenes of the Last Supper were treated as a challenge to visual theology. As the Last Supper, which in the films about Jesus of Nazareth (and, of course, the gospels) is the culmination (and also a turning point as an event ending Jesus` earthly activity), it is possible to see the essence of the theological message of films referring to the gospel in its presentation. The scenes of the Last Supper from three films were subjected to a comparative analysis, each of which is an individual director`s vision. These are The King of Kings (1961) by Nicholas Ray, The Passion of the Christ (2004) by Mel Gibson and The Thorn of God (2015) by Óscar Parra de Carrizosa. The selection criterion was the importance given in the films to the scenes of the Last Supper and their mutually diverse representations. It has been shown how the established new transmission of visual theology modifies the meanings determined by classical theology, basically not deviating from the framework set by it.
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| format | Article |
| id | doaj-art-295d4eec08de43008a223de7c9d0b0bc |
| institution | DOAJ |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2021-12-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-295d4eec08de43008a223de7c9d0b0bc2025-08-20T03:09:28ZengAdam Mickiewicz University PressImages1731-450X2720-040X2021-12-01303910.14746/i.2021.39.02Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny)Iwona Kolasińska-Pasterczyk0https://orcid.org/0000-0001-5242-281XInstytut Sztuk Audiowizualnych Uniwersytet Jagielloński w Krakowie The cinematic scenes of the Last Supper were treated as a challenge to visual theology. As the Last Supper, which in the films about Jesus of Nazareth (and, of course, the gospels) is the culmination (and also a turning point as an event ending Jesus` earthly activity), it is possible to see the essence of the theological message of films referring to the gospel in its presentation. The scenes of the Last Supper from three films were subjected to a comparative analysis, each of which is an individual director`s vision. These are The King of Kings (1961) by Nicholas Ray, The Passion of the Christ (2004) by Mel Gibson and The Thorn of God (2015) by Óscar Parra de Carrizosa. The selection criterion was the importance given in the films to the scenes of the Last Supper and their mutually diverse representations. It has been shown how the established new transmission of visual theology modifies the meanings determined by classical theology, basically not deviating from the framework set by it. https://pressto.amu.edu.pl/index.php/i/article/view/30588Last Supperlocus thologicusvisual theologyclassical theologycinematic scenes of the Last Supperthe gospels |
| spellingShingle | Iwona Kolasińska-Pasterczyk Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) Images Last Supper locus thologicus visual theology classical theology cinematic scenes of the Last Supper the gospels |
| title | Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) |
| title_full | Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) |
| title_fullStr | Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) |
| title_full_unstemmed | Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) |
| title_short | Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny) |
| title_sort | filmowe reprezentacje ostatniej wieczerzy jako locus theologicus trzy wizje biblijnej sceny |
| topic | Last Supper locus thologicus visual theology classical theology cinematic scenes of the Last Supper the gospels |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/30588 |
| work_keys_str_mv | AT iwonakolasinskapasterczyk filmowereprezentacjeostatniejwieczerzyjakolocustheologicustrzywizjebiblijnejsceny |