Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circu...
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Format: | Article |
Language: | Portuguese |
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2019-01-01
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Series: | Ciências Sociais Unisinos |
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Online Access: | http://www.redalyc.org/articulo.oa?id=93864117012 |
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author | Josnei Di Carlo |
author_facet | Josnei Di Carlo |
author_sort | Josnei Di Carlo |
collection | DOAJ |
description | After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circulated to a broad audience, unaccustomed to the subtleties of the arts. Unlike their cultural columns, the policies columns were seasonal, dictated by the moments of social effervescence. Gathering yours columns between 1945 and 1968, we note the seasonality of its political intervention. However, there were conditions for this to occur. |
format | Article |
id | doaj-art-2849c1ee871145c19e4182646e23bad4 |
institution | Kabale University |
issn | 2177-6229 |
language | Portuguese |
publishDate | 2019-01-01 |
publisher | Universidade do Vale do Rio dos Sinos (UNISINOS) |
record_format | Article |
series | Ciências Sociais Unisinos |
spelling | doaj-art-2849c1ee871145c19e4182646e23bad42025-02-06T23:31:42ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Ciências Sociais Unisinos2177-62292019-01-0155226527510.4013/csu.2019.55.2.12Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)Josnei Di CarloAfter returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circulated to a broad audience, unaccustomed to the subtleties of the arts. Unlike their cultural columns, the policies columns were seasonal, dictated by the moments of social effervescence. Gathering yours columns between 1945 and 1968, we note the seasonality of its political intervention. However, there were conditions for this to occur.http://www.redalyc.org/articulo.oa?id=93864117012presspublic intellectualmario pedrosa |
spellingShingle | Josnei Di Carlo Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) Ciências Sociais Unisinos press public intellectual mario pedrosa |
title | Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) |
title_full | Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) |
title_fullStr | Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) |
title_full_unstemmed | Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) |
title_short | Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) |
title_sort | vicissitudes do intelectual publico um estudo de caso sobre mario pedrosa 1944 1968 |
topic | press public intellectual mario pedrosa |
url | http://www.redalyc.org/articulo.oa?id=93864117012 |
work_keys_str_mv | AT josneidicarlo vicissitudesdointelectualpublicoumestudodecasosobremariopedrosa19441968 |