Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»

This paper focuses on the maternal voice represented in Aracoeli by Elsa Morante, interpreting it as a component of corporeality and a potential redemption for existential agonies. The analysis begins by examining the vocal elements associated with the maternal body in the novel, which contribute to...

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Main Author: Yuan Rui
Format: Article
Language:English
Published: University of Bologna 2025-02-01
Series:Finzioni
Subjects:
Online Access:https://finzioni.unibo.it/article/view/21412
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author Yuan Rui
author_facet Yuan Rui
author_sort Yuan Rui
collection DOAJ
description This paper focuses on the maternal voice represented in Aracoeli by Elsa Morante, interpreting it as a component of corporeality and a potential redemption for existential agonies. The analysis begins by examining the vocal elements associated with the maternal body in the novel, which contribute to the construction of the protagonist’s subjectivity and his narrative. It closely examines the traumatic history of the 20th century, highlighting conflicts between the obsessive and totalizing fascist discourse and the voice, which embodies the irreducible singularity of the subject. Drawing on philosophical and psychoanalytic critical theories, the study suggests reading Aracoeli as a novel articulated through the voice, proposing that the voice itself acts as a subversive element capable of deconstructing official historical narratives and representing the ultimate Truth that enables both the author and her character to transcend the logos.
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spelling doaj-art-282bf3db929c44eea0bdffa7c94641812025-08-20T03:00:04ZengUniversity of BolognaFinzioni2785-22882025-02-014815316810.6092/issn.2785-2288/2141219790Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»Yuan Rui0Sorbonne UniversitéThis paper focuses on the maternal voice represented in Aracoeli by Elsa Morante, interpreting it as a component of corporeality and a potential redemption for existential agonies. The analysis begins by examining the vocal elements associated with the maternal body in the novel, which contribute to the construction of the protagonist’s subjectivity and his narrative. It closely examines the traumatic history of the 20th century, highlighting conflicts between the obsessive and totalizing fascist discourse and the voice, which embodies the irreducible singularity of the subject. Drawing on philosophical and psychoanalytic critical theories, the study suggests reading Aracoeli as a novel articulated through the voice, proposing that the voice itself acts as a subversive element capable of deconstructing official historical narratives and representing the ultimate Truth that enables both the author and her character to transcend the logos.https://finzioni.unibo.it/article/view/21412morantevoicebodyhistoryredemption
spellingShingle Yuan Rui
Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
Finzioni
morante
voice
body
history
redemption
title Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
title_full Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
title_fullStr Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
title_full_unstemmed Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
title_short Whispers of the Mother: voices, body and redemption in Elsa Morante’s «Aracoeli»
title_sort whispers of the mother voices body and redemption in elsa morante s aracoeli
topic morante
voice
body
history
redemption
url https://finzioni.unibo.it/article/view/21412
work_keys_str_mv AT yuanrui whispersofthemothervoicesbodyandredemptioninelsamorantesaracoeli