La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea.
The strength of Amerindian intellectuals like Ailton Krenak or Davi Kopenawa in Brazil, or that of artists like Sebastian Calfuqueo and writers like Jaime Luis Huenún or Leonel Lienlaf in Chile are just a few recent examples of an artistic and intellectual production with a great power of interventi...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2022-05-01
|
| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/12505 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1849219745187889152 |
|---|---|
| author | Florencia Garramuño |
| author_facet | Florencia Garramuño |
| author_sort | Florencia Garramuño |
| collection | DOAJ |
| description | The strength of Amerindian intellectuals like Ailton Krenak or Davi Kopenawa in Brazil, or that of artists like Sebastian Calfuqueo and writers like Jaime Luis Huenún or Leonel Lienlaf in Chile are just a few recent examples of an artistic and intellectual production with a great power of intervention in the heart of Latin American national cultures. At the very moment when these practices claim their inclusion within contemporary art, they work with a notion of survival of multiple ethical, political and aesthetic connotations that shock a whole concept of Latin American culture and national cultures for which the indigenous had been processed in a sustained way, as Johannes Fabian pointed out some time ago referring to non-Western societies, in a “denial of coevalness” (Fabian 2014), a denial of contemporaneity that now, in the face of these new onslaughts, shows itself radically transformed.How to think the whirlwind of time that these appearances bring to contemporary culture? How to think, better, a contemporary Latin American culture crossed by these survivals? |
| format | Article |
| id | doaj-art-2818cd54fbe64389890295d05bdc29c1 |
| institution | Kabale University |
| issn | 2262-8339 |
| language | Spanish |
| publishDate | 2022-05-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj-art-2818cd54fbe64389890295d05bdc29c12025-01-10T13:08:32ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392022-05-012410.4000/lirico.12505La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea.Florencia GarramuñoThe strength of Amerindian intellectuals like Ailton Krenak or Davi Kopenawa in Brazil, or that of artists like Sebastian Calfuqueo and writers like Jaime Luis Huenún or Leonel Lienlaf in Chile are just a few recent examples of an artistic and intellectual production with a great power of intervention in the heart of Latin American national cultures. At the very moment when these practices claim their inclusion within contemporary art, they work with a notion of survival of multiple ethical, political and aesthetic connotations that shock a whole concept of Latin American culture and national cultures for which the indigenous had been processed in a sustained way, as Johannes Fabian pointed out some time ago referring to non-Western societies, in a “denial of coevalness” (Fabian 2014), a denial of contemporaneity that now, in the face of these new onslaughts, shows itself radically transformed.How to think the whirlwind of time that these appearances bring to contemporary culture? How to think, better, a contemporary Latin American culture crossed by these survivals?https://journals.openedition.org/lirico/12505Amerindian artsurvivalscontemporary culture |
| spellingShingle | Florencia Garramuño La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. Cuadernos LIRICO Amerindian art survivals contemporary culture |
| title | La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. |
| title_full | La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. |
| title_fullStr | La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. |
| title_full_unstemmed | La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. |
| title_short | La tierra en llamas y el mundo por venir: heterocronías amerindias en la cultura latinoamericana contemporánea. |
| title_sort | la tierra en llamas y el mundo por venir heterocronias amerindias en la cultura latinoamericana contemporanea |
| topic | Amerindian art survivals contemporary culture |
| url | https://journals.openedition.org/lirico/12505 |
| work_keys_str_mv | AT florenciagarramuno latierraenllamasyelmundoporvenirheterocroniasamerindiasenlaculturalatinoamericanacontemporanea |