The Myth of Mosca: Instances of Antirealism in Eugenio Montale’s «Xenia»
The objective of this essay is to demonstrate the fictional nature of the character Mosca in <i>Xenia I</i> and <i>Xenia II</i>, the first two sections of Eugenio Montale’s collection <i>Satura</i> (1971), and to illustrate the strategies through which the author...
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| Format: | Article |
| Language: | English |
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MDPI AG
2025-06-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/14/6/126 |
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