Dramaturgies of Contagion in Contemporary British Speculative Theatre

This article looks at three contemporary British speculative plays – Dawn King’s Foxfinder (2011), Stef Smith’s Human Animals (2016) and Alistair McDowall’s X (2016) – to show how their approach to the theme of transmission interrogates the simplified forms of contagion based on binary categories su...

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Main Author: June Xuandung Pham
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2021-10-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/11483
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author June Xuandung Pham
author_facet June Xuandung Pham
author_sort June Xuandung Pham
collection DOAJ
description This article looks at three contemporary British speculative plays – Dawn King’s Foxfinder (2011), Stef Smith’s Human Animals (2016) and Alistair McDowall’s X (2016) – to show how their approach to the theme of transmission interrogates the simplified forms of contagion based on binary categories such as present/absent, before/after, cause/symptom, human/nonhuman. It is my belief that these plays’ conception of contagion, not as a mere epidemiological fact but as a metaphor for disruption and relationality, transformation and conformity, invokes a distinct utopian method of the twenty-first century, which is best characterised by uncertainty.
format Article
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institution Kabale University
issn 1272-3819
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language English
publishDate 2021-10-01
publisher Centre de Recherche "Texte et Critique de Texte"
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series Sillages Critiques
spelling doaj-art-27f6984e5adb43349caca6dbab3c45162025-01-30T13:47:30ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022021-10-013010.4000/sillagescritiques.11483Dramaturgies of Contagion in Contemporary British Speculative TheatreJune Xuandung PhamThis article looks at three contemporary British speculative plays – Dawn King’s Foxfinder (2011), Stef Smith’s Human Animals (2016) and Alistair McDowall’s X (2016) – to show how their approach to the theme of transmission interrogates the simplified forms of contagion based on binary categories such as present/absent, before/after, cause/symptom, human/nonhuman. It is my belief that these plays’ conception of contagion, not as a mere epidemiological fact but as a metaphor for disruption and relationality, transformation and conformity, invokes a distinct utopian method of the twenty-first century, which is best characterised by uncertainty.https://journals.openedition.org/sillagescritiques/11483temporalityspectralitydramaturgies of contagionlanguage as contagionoutbreak narrativespeculative theatre
spellingShingle June Xuandung Pham
Dramaturgies of Contagion in Contemporary British Speculative Theatre
Sillages Critiques
temporality
spectrality
dramaturgies of contagion
language as contagion
outbreak narrative
speculative theatre
title Dramaturgies of Contagion in Contemporary British Speculative Theatre
title_full Dramaturgies of Contagion in Contemporary British Speculative Theatre
title_fullStr Dramaturgies of Contagion in Contemporary British Speculative Theatre
title_full_unstemmed Dramaturgies of Contagion in Contemporary British Speculative Theatre
title_short Dramaturgies of Contagion in Contemporary British Speculative Theatre
title_sort dramaturgies of contagion in contemporary british speculative theatre
topic temporality
spectrality
dramaturgies of contagion
language as contagion
outbreak narrative
speculative theatre
url https://journals.openedition.org/sillagescritiques/11483
work_keys_str_mv AT junexuandungpham dramaturgiesofcontagionincontemporarybritishspeculativetheatre