La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs

Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of th...

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Main Author: Anne-Bénédicte Mérel-Brandenburg
Format: Article
Language:fra
Published: École du Louvre 2021-11-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/19870
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author Anne-Bénédicte Mérel-Brandenburg
author_facet Anne-Bénédicte Mérel-Brandenburg
author_sort Anne-Bénédicte Mérel-Brandenburg
collection DOAJ
description Thanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research.
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institution Kabale University
issn 2262-208X
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publishDate 2021-11-01
publisher École du Louvre
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series Les Cahiers de l'École du Louvre
spelling doaj-art-27f035d74d3c46e9947b8e465f9f74892025-01-30T13:59:47ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2021-11-011710.4000/cel.19870La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancsAnne-Bénédicte Mérel-BrandenburgThanks to archaeometry, the study of early medieval sculpture has changed profoundly over the last thirty years. In addition to the formal, typological and contextual data of works that are sometimes isolated or fragmentary, the analysis of materials adds the possibility of tracing the history of the major extraction and distribution centres. According to a methodology based on innovative techniques, these analyses make it possible to distinguish materials that are very similar in appearance, especially white marbles, and thus to determine their provenance, marketing and use. Systematically applied in certain regions (Occitania, Aquitania), they have provided vital data for the study of the materiality of sculptures, opening new perspectives for research.https://journals.openedition.org/cel/19870sculptureLate AntiquityEarly Middle AgesFrancequarrieswhite marble
spellingShingle Anne-Bénédicte Mérel-Brandenburg
La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
Les Cahiers de l'École du Louvre
sculpture
Late Antiquity
Early Middle Ages
France
quarries
white marble
title La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_full La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_fullStr La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_full_unstemmed La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_short La sculpture de l'Antiquité tardive et du haut Moyen Âge, matériaux et analyses : les marbres blancs
title_sort la sculpture de l antiquite tardive et du haut moyen age materiaux et analyses les marbres blancs
topic sculpture
Late Antiquity
Early Middle Ages
France
quarries
white marble
url https://journals.openedition.org/cel/19870
work_keys_str_mv AT annebenedictemerelbrandenburg lasculpturedelantiquitetardiveetduhautmoyenagemateriauxetanalyseslesmarbresblancs