A World of Defamiliar Realities: The Chairs, Endgame and No Exit

This paper suggests that the three playwrights, Eugene Ionesco, Samuel Beckett, and Jean-Paul Sartre in their plays The Chairs, Endgame and No Exit, respectively, create a defamiliar reality that gives authenticity and new meaning to life. It puts forward the view that these playwrights use differe...

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Main Authors: Noorul Basar, Amjad Saleem
Format: Article
Language:English
Published: Department of English, University of Chitral 2020-12-01
Series:University of Chitral Journal of Linguistics and Literature
Subjects:
Online Access:https://jll.uoch.edu.pk/index.php/jll/article/view/147
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author Noorul Basar
Amjad Saleem
author_facet Noorul Basar
Amjad Saleem
author_sort Noorul Basar
collection DOAJ
description This paper suggests that the three playwrights, Eugene Ionesco, Samuel Beckett, and Jean-Paul Sartre in their plays The Chairs, Endgame and No Exit, respectively, create a defamiliar reality that gives authenticity and new meaning to life. It puts forward the view that these playwrights use different modern techniques to achieve their purpose; they experiment with stage techniques by using the technique of defamiliarization and surrealism. The paper presents a summary of the views of different critics about the content and form of these plays and contests their views by suggesting that the plays are not meaningless or absurd but only different. It proposes that the audience or readers do not see that which they often see in traditional theatre. The plays, rather, lay bare the possibilities of a more meaningful and authentic life by detaching the readers’ minds from the automated, habitual, and monotonous world they live in.
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spelling doaj-art-27c4c44d0ad0479d98fd3963229d6fa22025-08-20T02:11:57ZengDepartment of English, University of ChitralUniversity of Chitral Journal of Linguistics and Literature2617-36112663-15122020-12-014II10.33195/krebez33A World of Defamiliar Realities: The Chairs, Endgame and No ExitNoorul Basar0Amjad Saleem1Lecturer, Government College SwabiDept of English, University of Peshawar This paper suggests that the three playwrights, Eugene Ionesco, Samuel Beckett, and Jean-Paul Sartre in their plays The Chairs, Endgame and No Exit, respectively, create a defamiliar reality that gives authenticity and new meaning to life. It puts forward the view that these playwrights use different modern techniques to achieve their purpose; they experiment with stage techniques by using the technique of defamiliarization and surrealism. The paper presents a summary of the views of different critics about the content and form of these plays and contests their views by suggesting that the plays are not meaningless or absurd but only different. It proposes that the audience or readers do not see that which they often see in traditional theatre. The plays, rather, lay bare the possibilities of a more meaningful and authentic life by detaching the readers’ minds from the automated, habitual, and monotonous world they live in. https://jll.uoch.edu.pk/index.php/jll/article/view/147defamiliarization, surrealism, existentialism, phenomenology, absurdism
spellingShingle Noorul Basar
Amjad Saleem
A World of Defamiliar Realities: The Chairs, Endgame and No Exit
University of Chitral Journal of Linguistics and Literature
defamiliarization, surrealism, existentialism, phenomenology, absurdism
title A World of Defamiliar Realities: The Chairs, Endgame and No Exit
title_full A World of Defamiliar Realities: The Chairs, Endgame and No Exit
title_fullStr A World of Defamiliar Realities: The Chairs, Endgame and No Exit
title_full_unstemmed A World of Defamiliar Realities: The Chairs, Endgame and No Exit
title_short A World of Defamiliar Realities: The Chairs, Endgame and No Exit
title_sort world of defamiliar realities the chairs endgame and no exit
topic defamiliarization, surrealism, existentialism, phenomenology, absurdism
url https://jll.uoch.edu.pk/index.php/jll/article/view/147
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