Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre
Famous for his contribution to the rediscovery of medieval painting and for his work on seventeenth-century French painting, Charles Sterling (1901–1991) is also considered by critics as one of the greatest exhibition makers of the twentieth century and his name is still closely associated to some o...
Saved in:
Main Author: | Marie Tchernia-Blanchard |
---|---|
Format: | Article |
Language: | fra |
Published: |
École du Louvre
2018-05-01
|
Series: | Les Cahiers de l'École du Louvre |
Subjects: | |
Online Access: | https://journals.openedition.org/cel/888 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Les collections permanentes du Louvre et l’exposition de l’art contemporain
by: Ariane Lemieux
Published: (2014-01-01) -
Louvre-Lens : le Louvre autrement
by: Audrey Bodéré
Published: (2010-04-01) -
Le Musée européen des copies de Charles Blanc comme « pendant » du Louvre
by: Elisa Rodríguez Castresana
Published: (2017-10-01) -
L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle
by: Camille Doutremépuich
Published: (2017-10-01) -
Joseph Fouque (1755-1819) rentoileur de tableaux au Musée du Louvre
by: Aude Briau
Published: (2013-05-01)