Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre
Famous for his contribution to the rediscovery of medieval painting and for his work on seventeenth-century French painting, Charles Sterling (1901–1991) is also considered by critics as one of the greatest exhibition makers of the twentieth century and his name is still closely associated to some o...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2018-05-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/888 |
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| author | Marie Tchernia-Blanchard |
| author_facet | Marie Tchernia-Blanchard |
| author_sort | Marie Tchernia-Blanchard |
| collection | DOAJ |
| description | Famous for his contribution to the rediscovery of medieval painting and for his work on seventeenth-century French painting, Charles Sterling (1901–1991) is also considered by critics as one of the greatest exhibition makers of the twentieth century and his name is still closely associated to some of the most eminent events organised by the French national museums between the 1930s and 1960s. By retracing the development of his ideas through these events, this article proposes to revaluate Charles Sterling’s contribution to the practice of the temporary exhibition in the twentieth century and to determine how the way in which he made a name for himself in this exercise make him both a witness to and a privileged actor of the transformation of the object that accompanied these events, the exhibition catalogue, into a real instrument of storytelling in art history and, plus encore, a full-fledged scholarly tool. |
| format | Article |
| id | doaj-art-26fcaefa34eb4f458a7dbd7f39b99c1b |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2018-05-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-26fcaefa34eb4f458a7dbd7f39b99c1b2025-01-30T14:00:09ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2018-05-011210.4000/cel.888Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du LouvreMarie Tchernia-BlanchardFamous for his contribution to the rediscovery of medieval painting and for his work on seventeenth-century French painting, Charles Sterling (1901–1991) is also considered by critics as one of the greatest exhibition makers of the twentieth century and his name is still closely associated to some of the most eminent events organised by the French national museums between the 1930s and 1960s. By retracing the development of his ideas through these events, this article proposes to revaluate Charles Sterling’s contribution to the practice of the temporary exhibition in the twentieth century and to determine how the way in which he made a name for himself in this exercise make him both a witness to and a privileged actor of the transformation of the object that accompanied these events, the exhibition catalogue, into a real instrument of storytelling in art history and, plus encore, a full-fledged scholarly tool.https://journals.openedition.org/cel/888Musée du LouvreCharles SterlingexhibitioncataloguerPeintres de la Réalitéstill life |
| spellingShingle | Marie Tchernia-Blanchard Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre Les Cahiers de l'École du Louvre Musée du Louvre Charles Sterling exhibition cataloguer Peintres de la Réalité still life |
| title | Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre |
| title_full | Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre |
| title_fullStr | Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre |
| title_full_unstemmed | Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre |
| title_short | Charles Sterling (1901-1991) et la pratique de l’exposition temporaire : itinéraire d’un catalographe privilégié du musée du Louvre |
| title_sort | charles sterling 1901 1991 et la pratique de l exposition temporaire itineraire d un catalographe privilegie du musee du louvre |
| topic | Musée du Louvre Charles Sterling exhibition cataloguer Peintres de la Réalité still life |
| url | https://journals.openedition.org/cel/888 |
| work_keys_str_mv | AT marietcherniablanchard charlessterling19011991etlapratiquedelexpositiontemporaireitineraireduncatalographeprivilegiedumuseedulouvre |