Herramientas discursivas e imaginación política en las músicas de los blocos afro de Salvador de Bahía
This paper investigates the music of the Blocos Afro from Salvador de Bahia (Brazil). From a socio-historical approach, we analyse their songs considering the word (with melody, percussion and dance) emerges as another discursive tool in the emancipatory political imagination of the black community....
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2024-12-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/16275 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | This paper investigates the music of the Blocos Afro from Salvador de Bahia (Brazil). From a socio-historical approach, we analyse their songs considering the word (with melody, percussion and dance) emerges as another discursive tool in the emancipatory political imagination of the black community. Focused specially on the production of the 20th century (from the 1970s to the 1990s), We delve into sociopolitics issues and the narrative resources that contribute to the configuration of a popular community culture based on the rewriting of a black history of its own. |
|---|---|
| ISSN: | 1147-6753 2272-9828 |