Semantic dimensions of shape systems and their manifestations in graphic art

Graphic art is one of the most important means of human expression and communication as it is a universal expressive language that addresses all human beings. Therefore، it was necessary to study the formal systems of global graphic art because of its ability to reduce the semantic dimensions and t...

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Main Authors: zainab danbous, Hella Abdul sheead
Format: Article
Language:Arabic
Published: College of Fine Arts / University of Baghdad 2024-12-01
Series:الاكاديمي
Subjects:
Online Access:https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1512
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author zainab danbous
Hella Abdul sheead
author_facet zainab danbous
Hella Abdul sheead
author_sort zainab danbous
collection DOAJ
description Graphic art is one of the most important means of human expression and communication as it is a universal expressive language that addresses all human beings. Therefore، it was necessary to study the formal systems of global graphic art because of its ability to reduce the semantic dimensions and treatments in graphic design، which is essentially a means of expressing ideas aesthetically and functionally. Chapter One: Reviewing the research problem that was identified by answering the following question: What are the semantic dimensions of shape systems and do they have manifestations in graphic art? The research aimed to: identify the semantic dimensions of shape systems and their manifestations in graphic art، and the chapter concluded with a definition of terms. As for the second chapter. It included three topics: the first: graphic art، a historical overview of its origins and development، the second: shape systems in graphic design، and the third: graphic art techniques. The chapter concluded with indicators of the theoretical framework and a discussion of previous studies. Chapter Three: The researchers adopted the descriptive analytical method، and the research community included (20) samples. (4) samples were selected and an analysis tool was prepared and criteria for validity and reliability were extracted. In Chapter Four: the most important results reached were reviewed، and among them were: I took Advertising in graphic drawing is a state of turning towards dramatic contents، such as an invitation to musical clamor and written employment. The lithographic printing technique in model (2) shows digital semantic dimensions of form systems. The chapter concluded with a number of recommendations and suggestions
format Article
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institution Kabale University
issn 1819-5229
2523-2029
language Arabic
publishDate 2024-12-01
publisher College of Fine Arts / University of Baghdad
record_format Article
series الاكاديمي
spelling doaj-art-26137d89240749f99cf04897d16effb02025-08-20T03:48:52ZaraCollege of Fine Arts / University of Baghdadالاكاديمي1819-52292523-20292024-12-0111410.35560/jcofarts1512Semantic dimensions of shape systems and their manifestations in graphic artzainab danbous0Hella Abdul sheead 1University of Baghdad, College of Fine ArtsUniversity of Baghdad, College of Fine Arts Graphic art is one of the most important means of human expression and communication as it is a universal expressive language that addresses all human beings. Therefore، it was necessary to study the formal systems of global graphic art because of its ability to reduce the semantic dimensions and treatments in graphic design، which is essentially a means of expressing ideas aesthetically and functionally. Chapter One: Reviewing the research problem that was identified by answering the following question: What are the semantic dimensions of shape systems and do they have manifestations in graphic art? The research aimed to: identify the semantic dimensions of shape systems and their manifestations in graphic art، and the chapter concluded with a definition of terms. As for the second chapter. It included three topics: the first: graphic art، a historical overview of its origins and development، the second: shape systems in graphic design، and the third: graphic art techniques. The chapter concluded with indicators of the theoretical framework and a discussion of previous studies. Chapter Three: The researchers adopted the descriptive analytical method، and the research community included (20) samples. (4) samples were selected and an analysis tool was prepared and criteria for validity and reliability were extracted. In Chapter Four: the most important results reached were reviewed، and among them were: I took Advertising in graphic drawing is a state of turning towards dramatic contents، such as an invitation to musical clamor and written employment. The lithographic printing technique in model (2) shows digital semantic dimensions of form systems. The chapter concluded with a number of recommendations and suggestions https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1512semantics , form systems , graphics
spellingShingle zainab danbous
Hella Abdul sheead
Semantic dimensions of shape systems and their manifestations in graphic art
الاكاديمي
semantics , form systems , graphics
title Semantic dimensions of shape systems and their manifestations in graphic art
title_full Semantic dimensions of shape systems and their manifestations in graphic art
title_fullStr Semantic dimensions of shape systems and their manifestations in graphic art
title_full_unstemmed Semantic dimensions of shape systems and their manifestations in graphic art
title_short Semantic dimensions of shape systems and their manifestations in graphic art
title_sort semantic dimensions of shape systems and their manifestations in graphic art
topic semantics , form systems , graphics
url https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1512
work_keys_str_mv AT zainabdanbous semanticdimensionsofshapesystemsandtheirmanifestationsingraphicart
AT hellaabdulsheead semanticdimensionsofshapesystemsandtheirmanifestationsingraphicart