The well-tempered color circle: A chromatic Gestalt
The “Color Circle” is an important chromatic Gestalt in the visual arts. There is not really a formal equivalent in conventional colorimetry. The fact that the hues can be linearly ordered and that such an order is necessarily periodic was intuited by artists in the early 19th century, but only form...
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| Format: | Article |
| Language: | English |
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SAGE Publishing
2024-07-01
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| Series: | i-Perception |
| Online Access: | https://doi.org/10.1177/20416695241269314 |
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| _version_ | 1849710807043014656 |
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| author | Jan J. Koenderink Andrea J. van Doorn Doris I. Braun |
| author_facet | Jan J. Koenderink Andrea J. van Doorn Doris I. Braun |
| author_sort | Jan J. Koenderink |
| collection | DOAJ |
| description | The “Color Circle” is an important chromatic Gestalt in the visual arts. There is not really a formal equivalent in conventional colorimetry. The fact that the hues can be linearly ordered and that such an order is necessarily periodic was intuited by artists in the early 19th century, but only formally explained by Ostwald and later Schrödinger a century later. As with musical keys, various metrical orders are in common use. Is there such a thing as a “well tempered” order? We consider this an issue for experimental phenomenology. We discuss an attempt based on observations by 30 (nonartist) observers. |
| format | Article |
| id | doaj-art-25beb79d1b234ffcbb768aac4d6f8ba4 |
| institution | DOAJ |
| issn | 2041-6695 |
| language | English |
| publishDate | 2024-07-01 |
| publisher | SAGE Publishing |
| record_format | Article |
| series | i-Perception |
| spelling | doaj-art-25beb79d1b234ffcbb768aac4d6f8ba42025-08-20T03:14:47ZengSAGE Publishingi-Perception2041-66952024-07-011510.1177/20416695241269314The well-tempered color circle: A chromatic GestaltJan J. KoenderinkAndrea J. van DoornDoris I. Braun0Justus Liebig University Giessen, GermanyThe “Color Circle” is an important chromatic Gestalt in the visual arts. There is not really a formal equivalent in conventional colorimetry. The fact that the hues can be linearly ordered and that such an order is necessarily periodic was intuited by artists in the early 19th century, but only formally explained by Ostwald and later Schrödinger a century later. As with musical keys, various metrical orders are in common use. Is there such a thing as a “well tempered” order? We consider this an issue for experimental phenomenology. We discuss an attempt based on observations by 30 (nonartist) observers.https://doi.org/10.1177/20416695241269314 |
| spellingShingle | Jan J. Koenderink Andrea J. van Doorn Doris I. Braun The well-tempered color circle: A chromatic Gestalt i-Perception |
| title | The well-tempered color circle: A chromatic Gestalt |
| title_full | The well-tempered color circle: A chromatic Gestalt |
| title_fullStr | The well-tempered color circle: A chromatic Gestalt |
| title_full_unstemmed | The well-tempered color circle: A chromatic Gestalt |
| title_short | The well-tempered color circle: A chromatic Gestalt |
| title_sort | well tempered color circle a chromatic gestalt |
| url | https://doi.org/10.1177/20416695241269314 |
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