Ezra Pound and the Italian Renaissance(s)
When looking for a model for the revolutionary poetics he wanted to invent, Ezra Pound turned in part to the European avant-gardes, as might be expected, but he also looked towards much earlier models, foremost among which was the Renaissance. However, his understanding of the word “renaissance” ran...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2024-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/16839 |
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| author | Emilie Georges |
| author_facet | Emilie Georges |
| author_sort | Emilie Georges |
| collection | DOAJ |
| description | When looking for a model for the revolutionary poetics he wanted to invent, Ezra Pound turned in part to the European avant-gardes, as might be expected, but he also looked towards much earlier models, foremost among which was the Renaissance. However, his understanding of the word “renaissance” ran the full gamut of its possible translations and back-translations (rinascimento, risorgimento, awakening, resurgence) and he thus referred not to just one historical period when thinking of a possible artistic renaissance but at least three, all of which took place in Italy: the early-modern Renaissance, the nineteenth-century Risorgimento, and Mussolini’s totalitarian revolution. This paper argues that taking all of these various dimensions into account is necessary to fully comprehend one of the major drives of Pound’s poetics: the desire to “make it new.” |
| format | Article |
| id | doaj-art-24713994e1614bda83b898cfcdcc8964 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-24713994e1614bda83b898cfcdcc89642025-01-30T13:48:27ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022024-12-013710.4000/1319bEzra Pound and the Italian Renaissance(s)Emilie GeorgesWhen looking for a model for the revolutionary poetics he wanted to invent, Ezra Pound turned in part to the European avant-gardes, as might be expected, but he also looked towards much earlier models, foremost among which was the Renaissance. However, his understanding of the word “renaissance” ran the full gamut of its possible translations and back-translations (rinascimento, risorgimento, awakening, resurgence) and he thus referred not to just one historical period when thinking of a possible artistic renaissance but at least three, all of which took place in Italy: the early-modern Renaissance, the nineteenth-century Risorgimento, and Mussolini’s totalitarian revolution. This paper argues that taking all of these various dimensions into account is necessary to fully comprehend one of the major drives of Pound’s poetics: the desire to “make it new.”https://journals.openedition.org/sillagescritiques/16839RenaissanceModernismPoetryPound (Ezra)Botticelli (Sandro)Ruskin (John) |
| spellingShingle | Emilie Georges Ezra Pound and the Italian Renaissance(s) Sillages Critiques Renaissance Modernism Poetry Pound (Ezra) Botticelli (Sandro) Ruskin (John) |
| title | Ezra Pound and the Italian Renaissance(s) |
| title_full | Ezra Pound and the Italian Renaissance(s) |
| title_fullStr | Ezra Pound and the Italian Renaissance(s) |
| title_full_unstemmed | Ezra Pound and the Italian Renaissance(s) |
| title_short | Ezra Pound and the Italian Renaissance(s) |
| title_sort | ezra pound and the italian renaissance s |
| topic | Renaissance Modernism Poetry Pound (Ezra) Botticelli (Sandro) Ruskin (John) |
| url | https://journals.openedition.org/sillagescritiques/16839 |
| work_keys_str_mv | AT emiliegeorges ezrapoundandtheitalianrenaissances |