Los placeres ocultos (1977) d’Eloy de la Iglesia : un manifeste contre l’hétérocentrisme au tout début de la transition démocratique espagnole
The Spanish film director Eloy de la Iglesia has always been an opponent of Doxa and dogma of any kind, be they moral, sensual, sexual, but also political, national or patriotic. In Los placeres ocultos, his tenth feature-length film, the director defies more openly than ever the moribund (post-)Fra...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2019-12-01
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| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/7001 |
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