Le film de mobilisation centrasiatique
Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. Of modest ambition, generally short, m...
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| Language: | deu |
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Conserveries Mémorielles
2020-08-01
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| Series: | Conserveries Mémorielles |
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| Online Access: | https://journals.openedition.org/cm/4482 |
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| author | Valérie Pozner |
| author_facet | Valérie Pozner |
| author_sort | Valérie Pozner |
| collection | DOAJ |
| description | Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. Of modest ambition, generally short, made with what was at hand by evacuated film-makers, these movies appealed to the local myths and to the major figures of the national pantheon. They also embody the main values of the Soviet motherland. This little set of motives was recycled in various genra (feature shorts, musicals, documentaries) which are analyzed here on the example of the production of the main Soviet studio during the World War II, that of Alma-Ata. |
| format | Article |
| id | doaj-art-22990f1ea7894cc6a90048d0a99bc996 |
| institution | Kabale University |
| issn | 1718-5556 |
| language | deu |
| publishDate | 2020-08-01 |
| publisher | Conserveries Mémorielles |
| record_format | Article |
| series | Conserveries Mémorielles |
| spelling | doaj-art-22990f1ea7894cc6a90048d0a99bc9962025-02-05T16:16:25ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562020-08-01Le film de mobilisation centrasiatiqueValérie PoznerFar from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. Of modest ambition, generally short, made with what was at hand by evacuated film-makers, these movies appealed to the local myths and to the major figures of the national pantheon. They also embody the main values of the Soviet motherland. This little set of motives was recycled in various genra (feature shorts, musicals, documentaries) which are analyzed here on the example of the production of the main Soviet studio during the World War II, that of Alma-Ata.https://journals.openedition.org/cm/4482propagandecinéma soviétiqueDeuxième Guerre mondialemobilisationAsie centraleCOKS |
| spellingShingle | Valérie Pozner Le film de mobilisation centrasiatique Conserveries Mémorielles propagande cinéma soviétique Deuxième Guerre mondiale mobilisation Asie centrale COKS |
| title | Le film de mobilisation centrasiatique |
| title_full | Le film de mobilisation centrasiatique |
| title_fullStr | Le film de mobilisation centrasiatique |
| title_full_unstemmed | Le film de mobilisation centrasiatique |
| title_short | Le film de mobilisation centrasiatique |
| title_sort | le film de mobilisation centrasiatique |
| topic | propagande cinéma soviétique Deuxième Guerre mondiale mobilisation Asie centrale COKS |
| url | https://journals.openedition.org/cm/4482 |
| work_keys_str_mv | AT valeriepozner lefilmdemobilisationcentrasiatique |