La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle

In line with the work conducted in simplifying administrative documents (Clerc and Kavanagh 2006; Clerc 2019; Vecchiato 2021), this article questions the professional writer’s know-how with regard to the reader’s final expectations (Schriver, 1997; Cho and Choi 2018). If simplification can be consid...

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Main Authors: Christina Romain, Éric Tortochot, Véronique Rey
Format: Article
Language:English
Published: University of Bologna 2025-08-01
Series:MediAzioni
Subjects:
Online Access:https://mediazioni.unibo.it/article/view/22592
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author Christina Romain
Éric Tortochot
Véronique Rey
author_facet Christina Romain
Éric Tortochot
Véronique Rey
author_sort Christina Romain
collection DOAJ
description In line with the work conducted in simplifying administrative documents (Clerc and Kavanagh 2006; Clerc 2019; Vecchiato 2021), this article questions the professional writer’s know-how with regard to the reader’s final expectations (Schriver, 1997; Cho and Choi 2018). If simplification can be considered in terms of word counts, language registers, sentence structures, or even in terms of a benevolent interactional relationship depending on the more or less conflicting context (Romain, Rey & Pereira 2015, 2022; Clerc 2019), we posit that it can also be considered in graphic terms (Frechin 2019). Since this implies that there are three processes, simplification can be considered as the result of a dialogical process between editorial and graphic design know-how. Our study aims to report on these three processes by analyzing the simplification of a document carried out by a professional writer. We present how, in the process of simplification, the professional writer questions the construction of the document and the reader’s representation of the document. Our results show the difficulty of coordinating two skills (editorial and graphic design) due to differentiated temporalities: that of the immediacy of the information carried by the visual and that of the sequentiality of the information carried by the written language (Plane, Alamargot and Lebrave 2010). The harmonization of these two temporalities at the service of informational and relational content constraints seems to be a source of tension. Our analysis leads us to identify the necessary explanation of know-how to manage this paradox. This practical case shows how these linguistic and graphic processes are implemented when simplifying the documents to be revised.
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spelling doaj-art-228d62f4b67f40e2aacce593fc1ea3912025-08-20T03:43:50ZengUniversity of BolognaMediAzioni1974-43822025-08-0147A157A17910.6092/issn.1974-4382/2259220977La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelleChristina Romain0Éric Tortochot1Véronique Rey2Aix Marseille Université, CNRSAix Marseille UniversitéAix Marseille UniversitéIn line with the work conducted in simplifying administrative documents (Clerc and Kavanagh 2006; Clerc 2019; Vecchiato 2021), this article questions the professional writer’s know-how with regard to the reader’s final expectations (Schriver, 1997; Cho and Choi 2018). If simplification can be considered in terms of word counts, language registers, sentence structures, or even in terms of a benevolent interactional relationship depending on the more or less conflicting context (Romain, Rey & Pereira 2015, 2022; Clerc 2019), we posit that it can also be considered in graphic terms (Frechin 2019). Since this implies that there are three processes, simplification can be considered as the result of a dialogical process between editorial and graphic design know-how. Our study aims to report on these three processes by analyzing the simplification of a document carried out by a professional writer. We present how, in the process of simplification, the professional writer questions the construction of the document and the reader’s representation of the document. Our results show the difficulty of coordinating two skills (editorial and graphic design) due to differentiated temporalities: that of the immediacy of the information carried by the visual and that of the sequentiality of the information carried by the written language (Plane, Alamargot and Lebrave 2010). The harmonization of these two temporalities at the service of informational and relational content constraints seems to be a source of tension. Our analysis leads us to identify the necessary explanation of know-how to manage this paradox. This practical case shows how these linguistic and graphic processes are implemented when simplifying the documents to be revised.https://mediazioni.unibo.it/article/view/22592professional writersgraphic designersinformational contentrelational contentdocument stagingreaderssimplification process
spellingShingle Christina Romain
Éric Tortochot
Véronique Rey
La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
MediAzioni
professional writers
graphic designers
informational content
relational content
document staging
readers
simplification process
title La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
title_full La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
title_fullStr La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
title_full_unstemmed La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
title_short La simplification de document : de la mise en mots à la mise en scène graphique et rédactionnelle
title_sort la simplification de document de la mise en mots a la mise en scene graphique et redactionnelle
topic professional writers
graphic designers
informational content
relational content
document staging
readers
simplification process
url https://mediazioni.unibo.it/article/view/22592
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AT erictortochot lasimplificationdedocumentdelamiseenmotsalamiseenscenegraphiqueetredactionnelle
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