L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)

The Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging sym...

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Main Author: Anaïs Guilet
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2021-10-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/11263
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author Anaïs Guilet
author_facet Anaïs Guilet
author_sort Anaïs Guilet
collection DOAJ
description The Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging symbolizing this interface. The screen is the place where users of Second Life and spectators alike can observe how interactions with the technical device (the avatar) but also with others, materialize. If the body is not obsolete yet, the documentary manages to alternate online and offline perspectives. It offers a tragicomic view of these dual beings, these distributed-selves and questions how digital technology reconfigures our modes of presence to ourselves, to others, and to the world. The film literally re-incarnates these avatars, which are both traces of a presence to oneself as well as a tool enabling communication. The connected screen seems to be so in more ways than one since it appears in the film as a vector of social linking.
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2021-10-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-224621297c7c49f88745dd31547381d52025-01-30T13:47:09ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022021-10-013010.4000/sillagescritiques.11263L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)Anaïs GuiletThe Cat, the Reverend and the Slave is a documentary directed by Alain Della Negra and Kaori Kinoshita (2010). It portrays three users of Second Life and offers an unprecedented view on an interfaced, mediated way of life. In the film, the cinema screen opens on the connected screen in a staging symbolizing this interface. The screen is the place where users of Second Life and spectators alike can observe how interactions with the technical device (the avatar) but also with others, materialize. If the body is not obsolete yet, the documentary manages to alternate online and offline perspectives. It offers a tragicomic view of these dual beings, these distributed-selves and questions how digital technology reconfigures our modes of presence to ourselves, to others, and to the world. The film literally re-incarnates these avatars, which are both traces of a presence to oneself as well as a tool enabling communication. The connected screen seems to be so in more ways than one since it appears in the film as a vector of social linking.https://journals.openedition.org/sillagescritiques/11263documentaryreflexivitybodyrepresentationtracescreen
spellingShingle Anaïs Guilet
L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
Sillages Critiques
documentary
reflexivity
body
representation
trace
screen
title L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_full L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_fullStr L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_full_unstemmed L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_short L’humain et l’écran, à l’écran : The Cat, the Reverend and the Slave d’Alain Della Negra et Kaori Kinoshita (2010)
title_sort l humain et l ecran a l ecran the cat the reverend and the slave d alain della negra et kaori kinoshita 2010
topic documentary
reflexivity
body
representation
trace
screen
url https://journals.openedition.org/sillagescritiques/11263
work_keys_str_mv AT anaisguilet lhumainetlecranalecranthecatthereverendandtheslavedalaindellanegraetkaorikinoshita2010