Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”

The article examines the life-creation of the writer and translator Nina Petrovskaya, whose tragic love relationship with Valeriy Bryusov became a vivid literary fact of Russian symbolism. It is generally believed that Petrovskaya created her own life based on Bryusov’s novel The Fiery Angel, in par...

Full description

Saved in:
Bibliographic Details
Main Author: Pavel F. Uspenskij
Format: Article
Language:English
Published: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2024-12-01
Series:Литературный факт
Subjects:
Online Access:https://litfact.ru/images/2024-34/13_Uspenskij.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1846112538492665856
author Pavel F. Uspenskij
author_facet Pavel F. Uspenskij
author_sort Pavel F. Uspenskij
collection DOAJ
description The article examines the life-creation of the writer and translator Nina Petrovskaya, whose tragic love relationship with Valeriy Bryusov became a vivid literary fact of Russian symbolism. It is generally believed that Petrovskaya created her own life based on Bryusov’s novel The Fiery Angel, in particular, Renata, the protagonist, became her biographical model. This interpretation of the text of Petrovskaya’s life was largely set by the writer herself, who identified with Renata in correspondence with Bryusov. The reasons for merging with a literary character and the motives for her own renaming seem to be a natural consequence of Bryusov’s life-creation experiment. Such an explanation deprives Petrovskaya of subjectivity and turns her into a passive victim of the symbolist master, without taking into account her life choice — the desire to be in a painful relationship and prolong it. As shown in the article, Petrovskaya’s life-creating model goes back not so much to Bryusov’s text as to Chekhov’s The Seagull. Focusing on Nina Zarechnaya and finding herself in a similar life conflict as the heroine of the play, Petrovskaya voluntarily created a tragic story from her life. This model text for Petrovskaya also explains her onomastic gesture: renaming herself Renata is associated with the self-renaming of Zarechnaya as a seagull. The article also addresses the topic “Chekhov and Russian Modernism” and demonstrates that Chekhov’s texts could be perceived by symbolists as life-creating models.
format Article
id doaj-art-21f4e539bc64416aadf73de8a982c205
institution Kabale University
issn 2541-8297
2542-2421
language English
publishDate 2024-12-01
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
record_format Article
series Литературный факт
spelling doaj-art-21f4e539bc64416aadf73de8a982c2052024-12-22T12:28:28ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureЛитературный факт2541-82972542-24212024-12-0143424325410.22455/2541-8297-2024-34-243-254Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”Pavel F. Uspenskij0https://orcid.org/0000-0003-2356-3036the School of Philological Studies of the National Research University Higher School of EconomicsThe article examines the life-creation of the writer and translator Nina Petrovskaya, whose tragic love relationship with Valeriy Bryusov became a vivid literary fact of Russian symbolism. It is generally believed that Petrovskaya created her own life based on Bryusov’s novel The Fiery Angel, in particular, Renata, the protagonist, became her biographical model. This interpretation of the text of Petrovskaya’s life was largely set by the writer herself, who identified with Renata in correspondence with Bryusov. The reasons for merging with a literary character and the motives for her own renaming seem to be a natural consequence of Bryusov’s life-creation experiment. Such an explanation deprives Petrovskaya of subjectivity and turns her into a passive victim of the symbolist master, without taking into account her life choice — the desire to be in a painful relationship and prolong it. As shown in the article, Petrovskaya’s life-creating model goes back not so much to Bryusov’s text as to Chekhov’s The Seagull. Focusing on Nina Zarechnaya and finding herself in a similar life conflict as the heroine of the play, Petrovskaya voluntarily created a tragic story from her life. This model text for Petrovskaya also explains her onomastic gesture: renaming herself Renata is associated with the self-renaming of Zarechnaya as a seagull. The article also addresses the topic “Chekhov and Russian Modernism” and demonstrates that Chekhov’s texts could be perceived by symbolists as life-creating models.https://litfact.ru/images/2024-34/13_Uspenskij.pdfrussian symbolismlife-creationnina petrovskayavaleriy bryusovanton chekhovchekhov and russian modernism“the seagull”
spellingShingle Pavel F. Uspenskij
Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
Литературный факт
russian symbolism
life-creation
nina petrovskaya
valeriy bryusov
anton chekhov
chekhov and russian modernism
“the seagull”
title Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
title_full Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
title_fullStr Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
title_full_unstemmed Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
title_short Nina as just Nina: The life-creation of N.I. Petrovskaya in the light of A.P. Chekhov's “The Seagull”
title_sort nina as just nina the life creation of n i petrovskaya in the light of a p chekhov s the seagull
topic russian symbolism
life-creation
nina petrovskaya
valeriy bryusov
anton chekhov
chekhov and russian modernism
“the seagull”
url https://litfact.ru/images/2024-34/13_Uspenskij.pdf
work_keys_str_mv AT pavelfuspenskij ninaasjustninathelifecreationofnipetrovskayainthelightofapchekhovstheseagull