Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
Since the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nin...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2021-11-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/19157 |
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| author | Pierre-Yves Le Pogam |
| author_facet | Pierre-Yves Le Pogam |
| author_sort | Pierre-Yves Le Pogam |
| collection | DOAJ |
| description | Since the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nineteenth century and well into the twentieth, with all the nationalistic and sectarian pitfalls that it could entail. Then the works benefited from a re-evaluation of their aesthetics, largely due to the influence of the artistic revolutions of the 1900s. In the second half of the twentieth century, the epistemological framework was overturned by the contribution of archaeological and archaeometric methods. However, our field of study requires a new approach, especially in the form of complete corpuses linked to architecture. |
| format | Article |
| id | doaj-art-2169107405e64f4192d3d9b31721ea45 |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2021-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-2169107405e64f4192d3d9b31721ea452025-01-30T14:00:14ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2021-11-011710.4000/cel.19157Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?Pierre-Yves Le PogamSince the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nineteenth century and well into the twentieth, with all the nationalistic and sectarian pitfalls that it could entail. Then the works benefited from a re-evaluation of their aesthetics, largely due to the influence of the artistic revolutions of the 1900s. In the second half of the twentieth century, the epistemological framework was overturned by the contribution of archaeological and archaeometric methods. However, our field of study requires a new approach, especially in the form of complete corpuses linked to architecture.https://journals.openedition.org/cel/19157Christian archaeologyprimitivismhistoriographynationalismFranco-German conflictsAlois Riegl |
| spellingShingle | Pierre-Yves Le Pogam Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? Les Cahiers de l'École du Louvre Christian archaeology primitivism historiography nationalism Franco-German conflicts Alois Riegl |
| title | Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? |
| title_full | Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? |
| title_fullStr | Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? |
| title_full_unstemmed | Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? |
| title_short | Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ? |
| title_sort | comment a t on apprecie et compris la sculpture de l antiquite tardive et du haut moyen age auxxixe xxe siecles |
| topic | Christian archaeology primitivism historiography nationalism Franco-German conflicts Alois Riegl |
| url | https://journals.openedition.org/cel/19157 |
| work_keys_str_mv | AT pierreyveslepogam commentatonapprecieetcomprislasculpturedelantiquitetardiveetduhautmoyenageauxxixexxesiecles |