La shoah post-mémorée à la troisième génération

We will characterize the essayistic thought and the narrative fiction of French writer of Jewish origin, Marianne Rubinstein, according to the operative concept of « post-memory » put into orbit by Marianne Hirsch, more precisely her novels Tout le monde n’a pas la chance d’être orphelin (2002) and...

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Main Author: José Domingues de Almeida
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2017-04-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/2209
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author José Domingues de Almeida
author_facet José Domingues de Almeida
author_sort José Domingues de Almeida
collection DOAJ
description We will characterize the essayistic thought and the narrative fiction of French writer of Jewish origin, Marianne Rubinstein, according to the operative concept of « post-memory » put into orbit by Marianne Hirsch, more precisely her novels Tout le monde n’a pas la chance d’être orphelin (2002) and C’est maintenant du passé (2009). In fact, Marianne Rubinstein belongs to the growing group of French writers (such as J. Littell, P. Claudel, Y. Haenel, A. Rykner, K. Tuil, O. Benyahya, F. Humbert, T. Hesse, L. Binet) who relay and revisit somehow in fiction the trauma of the Holocaust endured by their ancestors during the Second World War (deportations, mass deaths, resistance, memories of war, various humiliations, etc.). In this respect, as Aurélie Barjonet has rightly pointed out about Marianne Rubinstein, « Family history always gives rise to an archaeological text », while « the majority of writers have turned to the transmission or fictionalization of ‘a true story’». It is at the crossroads of these two axes (autobiography and fiction) that we will try to place Marianne Rubinstein’s writing.
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spelling doaj-art-2164ba2c6dea4db9b0f031b05ff3c2de2024-12-09T13:43:42ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-04-011010.4000/carnets.2209La shoah post-mémorée à la troisième générationJosé Domingues de AlmeidaWe will characterize the essayistic thought and the narrative fiction of French writer of Jewish origin, Marianne Rubinstein, according to the operative concept of « post-memory » put into orbit by Marianne Hirsch, more precisely her novels Tout le monde n’a pas la chance d’être orphelin (2002) and C’est maintenant du passé (2009). In fact, Marianne Rubinstein belongs to the growing group of French writers (such as J. Littell, P. Claudel, Y. Haenel, A. Rykner, K. Tuil, O. Benyahya, F. Humbert, T. Hesse, L. Binet) who relay and revisit somehow in fiction the trauma of the Holocaust endured by their ancestors during the Second World War (deportations, mass deaths, resistance, memories of war, various humiliations, etc.). In this respect, as Aurélie Barjonet has rightly pointed out about Marianne Rubinstein, « Family history always gives rise to an archaeological text », while « the majority of writers have turned to the transmission or fictionalization of ‘a true story’». It is at the crossroads of these two axes (autobiography and fiction) that we will try to place Marianne Rubinstein’s writing.https://journals.openedition.org/carnets/2209novelpost-memoryRubinstein (Marianne)Shoah
spellingShingle José Domingues de Almeida
La shoah post-mémorée à la troisième génération
Carnets
novel
post-memory
Rubinstein (Marianne)
Shoah
title La shoah post-mémorée à la troisième génération
title_full La shoah post-mémorée à la troisième génération
title_fullStr La shoah post-mémorée à la troisième génération
title_full_unstemmed La shoah post-mémorée à la troisième génération
title_short La shoah post-mémorée à la troisième génération
title_sort la shoah post memoree a la troisieme generation
topic novel
post-memory
Rubinstein (Marianne)
Shoah
url https://journals.openedition.org/carnets/2209
work_keys_str_mv AT josedominguesdealmeida lashoahpostmemoreealatroisiemegeneration