“The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation

This contribution offers a semiotic analysis of Ferdinando Oreste Nannetti’s (NOF4) graffiti on the wall of the psychiatric hospital in Volterra. These inscriptions are examined as a practice that simultaneously expresses a condition of deviation and establishes a regime of autonomous normativity. T...

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Main Author: Luigi Lobaccaro
Format: Article
Language:English
Published: University of Limoges 2025-07-01
Series:Actes Sémiotiques
Subjects:
Online Access:https://www.unilim.fr/as/9039
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author Luigi Lobaccaro
author_facet Luigi Lobaccaro
author_sort Luigi Lobaccaro
collection DOAJ
description This contribution offers a semiotic analysis of Ferdinando Oreste Nannetti’s (NOF4) graffiti on the wall of the psychiatric hospital in Volterra. These inscriptions are examined as a practice that simultaneously expresses a condition of deviation and establishes a regime of autonomous normativity. The asylum wall–an architectural element of the psychiatric apparatus—serves as the interface where heterogeneous normative orders (medical, institutional, existential) come into tension. The paper investigates these layered forms of normativity by analyzing the institutional status of the work, the space in which it is inscribed, the relationship between the psychiatric “total institution” and its internees, and the specific features of schizophrenic enunciation. It argues that the assemblage of these elements gives rise to a new precarious process of subjectivation.
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spelling doaj-art-209a674da8b24e7ebc4556e99d7078a62025-08-20T03:32:03ZengUniversity of LimogesActes Sémiotiques2270-49572025-07-0113310.25965/as.90399039“The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of SubjectivationLuigi Lobaccaro0Université de BologneThis contribution offers a semiotic analysis of Ferdinando Oreste Nannetti’s (NOF4) graffiti on the wall of the psychiatric hospital in Volterra. These inscriptions are examined as a practice that simultaneously expresses a condition of deviation and establishes a regime of autonomous normativity. The asylum wall–an architectural element of the psychiatric apparatus—serves as the interface where heterogeneous normative orders (medical, institutional, existential) come into tension. The paper investigates these layered forms of normativity by analyzing the institutional status of the work, the space in which it is inscribed, the relationship between the psychiatric “total institution” and its internees, and the specific features of schizophrenic enunciation. It argues that the assemblage of these elements gives rise to a new precarious process of subjectivation.https://www.unilim.fr/as/9039énonciationnormenof4déviancegraffiti
spellingShingle Luigi Lobaccaro
“The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
Actes Sémiotiques
énonciation
norme
nof4
déviance
graffiti
title “The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
title_full “The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
title_fullStr “The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
title_full_unstemmed “The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
title_short “The Whole World Is Mine”. NOF4’s Graffiti Between Norms, Abnormality, and Processes of Subjectivation
title_sort the whole world is mine nof4 s graffiti between norms abnormality and processes of subjectivation
topic énonciation
norme
nof4
déviance
graffiti
url https://www.unilim.fr/as/9039
work_keys_str_mv AT luigilobaccaro thewholeworldisminenof4sgraffitibetweennormsabnormalityandprocessesofsubjectivation