Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)

This article offers a reading of Deborah Feldman’s memoir sequel, Unorthodox: The Scandalous Rejection of My Hasidic Roots (2012) and Exodus: A Memoir (2015), through the lens of what Leigh Gilmore calls 'the auto/biographical demand'. It argues that Feldman writes under the 'auto/bio...

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Main Author: Szidonia Haragos
Format: Article
Language:English
Published: University of Groningen Press 2025-01-01
Series:European Journal of Life Writing
Subjects:
Online Access:https://ejlw.eu/article/view/42450
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author Szidonia Haragos
author_facet Szidonia Haragos
author_sort Szidonia Haragos
collection DOAJ
description This article offers a reading of Deborah Feldman’s memoir sequel, Unorthodox: The Scandalous Rejection of My Hasidic Roots (2012) and Exodus: A Memoir (2015), through the lens of what Leigh Gilmore calls 'the auto/biographical demand'. It argues that Feldman writes under the 'auto/biographical demand' as the grandchild of Hungarian Holocaust survivors and redeploys the inherited story of gendered suffering during the Holocaust in order to reconfigure her own Jewish American identity. I employ Gilmore’s concept to reflect upon the writing of the self in Feldman’s memoir sequel in terms of narrative entanglement, postmemory, and third generation transmission of collective trauma. In addition, the article reflects on Feldman’s text as an echo chamber of the profoundly controversial Kastner affair during the Holocaust in Hungary and its transatlantic reverberations.
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spelling doaj-art-208edc9e62d54a728626ba821c6f3f322025-01-23T10:01:57ZengUniversity of Groningen PressEuropean Journal of Life Writing2211-243X2025-01-0114254610.21827/ejlw.14.4245032117Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)Szidonia Haragos0https://orcid.org/0000-0001-5761-487XShanghaiTech UniversityThis article offers a reading of Deborah Feldman’s memoir sequel, Unorthodox: The Scandalous Rejection of My Hasidic Roots (2012) and Exodus: A Memoir (2015), through the lens of what Leigh Gilmore calls 'the auto/biographical demand'. It argues that Feldman writes under the 'auto/biographical demand' as the grandchild of Hungarian Holocaust survivors and redeploys the inherited story of gendered suffering during the Holocaust in order to reconfigure her own Jewish American identity. I employ Gilmore’s concept to reflect upon the writing of the self in Feldman’s memoir sequel in terms of narrative entanglement, postmemory, and third generation transmission of collective trauma. In addition, the article reflects on Feldman’s text as an echo chamber of the profoundly controversial Kastner affair during the Holocaust in Hungary and its transatlantic reverberations.https://ejlw.eu/article/view/42450auto/biographical demandtransgenerational transmissionthird generationholocaust in hungary
spellingShingle Szidonia Haragos
Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
European Journal of Life Writing
auto/biographical demand
transgenerational transmission
third generation
holocaust in hungary
title Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
title_full Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
title_fullStr Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
title_full_unstemmed Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
title_short Writing under the 'Auto/biographical Demand' in Deborah Feldman’s Unorthodox (2012) and Exodus (2015)
title_sort writing under the auto biographical demand in deborah feldman s unorthodox 2012 and exodus 2015
topic auto/biographical demand
transgenerational transmission
third generation
holocaust in hungary
url https://ejlw.eu/article/view/42450
work_keys_str_mv AT szidoniaharagos writingundertheautobiographicaldemandindeborahfeldmansunorthodox2012andexodus2015