Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>

This paper examines how Daoxuan 道宣, the Tang Dynasty Buddhist historian and founder of the Nanshan Vinaya School, meticulously constructed the saintly image of Sengya 僧崖—a monk renowned for his auto-cremation—in his <i>Continued Biographies of Eminent Monks</i> (<i>Xu gaoseng zhuan...

Full description

Saved in:
Bibliographic Details
Main Author: Limei Chi
Format: Article
Language:English
Published: MDPI AG 2025-04-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/16/4/508
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1850180869045616640
author Limei Chi
author_facet Limei Chi
author_sort Limei Chi
collection DOAJ
description This paper examines how Daoxuan 道宣, the Tang Dynasty Buddhist historian and founder of the Nanshan Vinaya School, meticulously constructed the saintly image of Sengya 僧崖—a monk renowned for his auto-cremation—in his <i>Continued Biographies of Eminent Monks</i> (<i>Xu gaoseng zhuan</i> 續高僧傳). Drawing on a range of sources—including the now-lost <i>Biography of the Bodhisattva Sengya</i> and regional texts such as the <i>Collection of Miscellaneous Records from the Shu Region</i>—Daoxuan reconfigured Sengya’s narrative, presenting his auto-cremation as a profound religious sacrifice emblematic of transformative spiritual commitment. The analysis explores how Daoxuan navigated the doctrinal tensions between this extreme practice and the Vinaya precept of non-killing by emphasizing the practitioner’s mental state over the physical act. In doing so, he reframed self-immolation not as an aberration but as a legitimate, even exalted, path to liberation. This reinterpretation is situated within the broader context of Chinese Buddhist thought—particularly the ideas of the indestructibility of the spirit and the cosmological framework of “Heaven–Man Correspondence”—highlighting the interplay between religious symbolism, doctrinal adaptation, and lived practice. Crucially, this paper treats Daoxuan’s narrative not merely as biography, but as hagiography—a literary mode in which historical memory and religious narrative are inextricably entwined. By examining the rhetorical and ideological dimensions of this genre, this study contributes to a more nuanced understanding of how religious hagiography functioned as a tool for shaping sainthood, authorizing extreme religious practices, and negotiating the spiritual and social landscapes of medieval China.
format Article
id doaj-art-20807a3f0635436699fd869caa40a4b0
institution OA Journals
issn 2077-1444
language English
publishDate 2025-04-01
publisher MDPI AG
record_format Article
series Religions
spelling doaj-art-20807a3f0635436699fd869caa40a4b02025-08-20T02:18:01ZengMDPI AGReligions2077-14442025-04-0116450810.3390/rel16040508Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>Limei Chi0Department of Buddhist Studies, International College for Postgraduate Buddhist Studies, Tokyo 112-0003, JapanThis paper examines how Daoxuan 道宣, the Tang Dynasty Buddhist historian and founder of the Nanshan Vinaya School, meticulously constructed the saintly image of Sengya 僧崖—a monk renowned for his auto-cremation—in his <i>Continued Biographies of Eminent Monks</i> (<i>Xu gaoseng zhuan</i> 續高僧傳). Drawing on a range of sources—including the now-lost <i>Biography of the Bodhisattva Sengya</i> and regional texts such as the <i>Collection of Miscellaneous Records from the Shu Region</i>—Daoxuan reconfigured Sengya’s narrative, presenting his auto-cremation as a profound religious sacrifice emblematic of transformative spiritual commitment. The analysis explores how Daoxuan navigated the doctrinal tensions between this extreme practice and the Vinaya precept of non-killing by emphasizing the practitioner’s mental state over the physical act. In doing so, he reframed self-immolation not as an aberration but as a legitimate, even exalted, path to liberation. This reinterpretation is situated within the broader context of Chinese Buddhist thought—particularly the ideas of the indestructibility of the spirit and the cosmological framework of “Heaven–Man Correspondence”—highlighting the interplay between religious symbolism, doctrinal adaptation, and lived practice. Crucially, this paper treats Daoxuan’s narrative not merely as biography, but as hagiography—a literary mode in which historical memory and religious narrative are inextricably entwined. By examining the rhetorical and ideological dimensions of this genre, this study contributes to a more nuanced understanding of how religious hagiography functioned as a tool for shaping sainthood, authorizing extreme religious practices, and negotiating the spiritual and social landscapes of medieval China.https://www.mdpi.com/2077-1444/16/4/508Buddhist hagiographythe <i>Xu gaoseng zhuan</i> 續高僧傳the <i>Hongzan fahua zhuan</i> 弘贊法華傳Daoxuan 道宣Sengya 僧崖self-immolation
spellingShingle Limei Chi
Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
Religions
Buddhist hagiography
the <i>Xu gaoseng zhuan</i> 續高僧傳
the <i>Hongzan fahua zhuan</i> 弘贊法華傳
Daoxuan 道宣
Sengya 僧崖
self-immolation
title Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
title_full Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
title_fullStr Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
title_full_unstemmed Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
title_short Biography or Hagiography: The Story of Sengya 僧崖 in the <i>Continuing Biographies of Eminent Monks</i>
title_sort biography or hagiography the story of sengya 僧崖 in the i continuing biographies of eminent monks i
topic Buddhist hagiography
the <i>Xu gaoseng zhuan</i> 續高僧傳
the <i>Hongzan fahua zhuan</i> 弘贊法華傳
Daoxuan 道宣
Sengya 僧崖
self-immolation
url https://www.mdpi.com/2077-1444/16/4/508
work_keys_str_mv AT limeichi biographyorhagiographythestoryofsengyasēngyáintheicontinuingbiographiesofeminentmonksi