Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood

In The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane S...

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Main Author: Frédérique Fouassier
Format: Article
Language:English
Published: Presses Universitaires du Midi 2010-09-01
Series:Anglophonia
Subjects:
Online Access:https://journals.openedition.org/acs/2141
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author Frédérique Fouassier
author_facet Frédérique Fouassier
author_sort Frédérique Fouassier
collection DOAJ
description In The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane Shore, by comparing her to other Renaissance versions of her character. She unwillingly arouses Edward’s desire, unaware as she is of the power of her beauty on men. She decides to use her status as a courtesan to help those in need. But there is no possibility for a Calvinist Mary-Magdalene, and Jane dies in utter destitution, stressing her didactic value to women in the audience.
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spelling doaj-art-207b437d6f2c476d942acc13aeb290f52025-01-30T12:34:22ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662010-09-012721923210.4000/caliban.2141Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas HeywoodFrédérique FouassierIn The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane Shore, by comparing her to other Renaissance versions of her character. She unwillingly arouses Edward’s desire, unaware as she is of the power of her beauty on men. She decides to use her status as a courtesan to help those in need. But there is no possibility for a Calvinist Mary-Magdalene, and Jane dies in utter destitution, stressing her didactic value to women in the audience.https://journals.openedition.org/acs/2141Jane ShoreSir Thomas MorepouvoirThomas Heywoodcalvinisme
spellingShingle Frédérique Fouassier
Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
Anglophonia
Jane Shore
Sir Thomas More
pouvoir
Thomas Heywood
calvinisme
title Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
title_full Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
title_fullStr Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
title_full_unstemmed Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
title_short Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
title_sort pouvoirs en conflit dans le personnage de jane shore dans the first and second parts of king edward iv de thomas heywood
topic Jane Shore
Sir Thomas More
pouvoir
Thomas Heywood
calvinisme
url https://journals.openedition.org/acs/2141
work_keys_str_mv AT frederiquefouassier pouvoirsenconflitdanslepersonnagedejaneshoredansthefirstandsecondpartsofkingedwardivdethomasheywood