Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood
In The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane S...
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Language: | English |
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Presses Universitaires du Midi
2010-09-01
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Series: | Anglophonia |
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Online Access: | https://journals.openedition.org/acs/2141 |
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author | Frédérique Fouassier |
author_facet | Frédérique Fouassier |
author_sort | Frédérique Fouassier |
collection | DOAJ |
description | In The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane Shore, by comparing her to other Renaissance versions of her character. She unwillingly arouses Edward’s desire, unaware as she is of the power of her beauty on men. She decides to use her status as a courtesan to help those in need. But there is no possibility for a Calvinist Mary-Magdalene, and Jane dies in utter destitution, stressing her didactic value to women in the audience. |
format | Article |
id | doaj-art-207b437d6f2c476d942acc13aeb290f5 |
institution | Kabale University |
issn | 1278-3331 2427-0466 |
language | English |
publishDate | 2010-09-01 |
publisher | Presses Universitaires du Midi |
record_format | Article |
series | Anglophonia |
spelling | doaj-art-207b437d6f2c476d942acc13aeb290f52025-01-30T12:34:22ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662010-09-012721923210.4000/caliban.2141Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas HeywoodFrédérique FouassierIn The First and Second Parts of King Edward IV, Thomas Heywood gives a patriarchal and Calvinist interpretation of the very popular story of King Edward IV and his mistress Jane Shore. This paper purposes to study the skein woven by the concepts of femaleness, conflict and power in Heywood’s Jane Shore, by comparing her to other Renaissance versions of her character. She unwillingly arouses Edward’s desire, unaware as she is of the power of her beauty on men. She decides to use her status as a courtesan to help those in need. But there is no possibility for a Calvinist Mary-Magdalene, and Jane dies in utter destitution, stressing her didactic value to women in the audience.https://journals.openedition.org/acs/2141Jane ShoreSir Thomas MorepouvoirThomas Heywoodcalvinisme |
spellingShingle | Frédérique Fouassier Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood Anglophonia Jane Shore Sir Thomas More pouvoir Thomas Heywood calvinisme |
title | Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood |
title_full | Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood |
title_fullStr | Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood |
title_full_unstemmed | Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood |
title_short | Pouvoirs en conflit dans le personnage de Jane Shore dans The First and Second Parts of King Edward IV de Thomas Heywood |
title_sort | pouvoirs en conflit dans le personnage de jane shore dans the first and second parts of king edward iv de thomas heywood |
topic | Jane Shore Sir Thomas More pouvoir Thomas Heywood calvinisme |
url | https://journals.openedition.org/acs/2141 |
work_keys_str_mv | AT frederiquefouassier pouvoirsenconflitdanslepersonnagedejaneshoredansthefirstandsecondpartsofkingedwardivdethomasheywood |