«No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista
During the Franco regime, Spain was completely transformed, muzzled by a relentless censorship that stagnated all critical and free initiative. This long period of obscurantism was a necessary resource for the regime to ensure a tight control over the national conscience. This article aims to recons...
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| Format: | Article |
| Language: | English |
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Universidad de Extremadura
2025-06-01
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| Series: | Anuario de Estudios Filológicos |
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| _version_ | 1849688139555143680 |
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| author | Silvia Datteroni |
| author_facet | Silvia Datteroni |
| author_sort | Silvia Datteroni |
| collection | DOAJ |
| description | During the Franco regime, Spain was completely transformed, muzzled by a relentless censorship that stagnated all critical and free initiative. This long period of obscurantism was a necessary resource for the regime to ensure a tight control over the national conscience. This article aims to reconstruct the complicated Spanish receptive trajectory of the work of Natalia Ginzburg, in the light of unpublished documents found in the Archivo General de la Administración (Alcalá de Henares), in the Fondazione Giulio Einaudi (Turin) and in the Erich Linder’s collection of the Fondazione Arnoldo e Alberto Mondadori (Milan) that demonstrate the effort and tireless work of certain Spanish publishers when dealing with a tendentious and arbitrary censorship. |
| format | Article |
| id | doaj-art-20308c6e2073423c86aeffa42e98bd26 |
| institution | DOAJ |
| issn | 0210-8178 2660-7301 |
| language | English |
| publishDate | 2025-06-01 |
| publisher | Universidad de Extremadura |
| record_format | Article |
| series | Anuario de Estudios Filológicos |
| spelling | doaj-art-20308c6e2073423c86aeffa42e98bd262025-08-20T03:22:07ZengUniversidad de ExtremaduraAnuario de Estudios Filológicos0210-81782660-73012025-06-01487188https://doi.org/10.17398/2660-7301.48.71«No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquistaSilvia Datteroni0https://orcid.org/0000-0002-4557-8661Universidad de GranadaDuring the Franco regime, Spain was completely transformed, muzzled by a relentless censorship that stagnated all critical and free initiative. This long period of obscurantism was a necessary resource for the regime to ensure a tight control over the national conscience. This article aims to reconstruct the complicated Spanish receptive trajectory of the work of Natalia Ginzburg, in the light of unpublished documents found in the Archivo General de la Administración (Alcalá de Henares), in the Fondazione Giulio Einaudi (Turin) and in the Erich Linder’s collection of the Fondazione Arnoldo e Alberto Mondadori (Milan) that demonstrate the effort and tireless work of certain Spanish publishers when dealing with a tendentious and arbitrary censorship. censorshipitalian literaturenatalia ginzburgfranco regime |
| spellingShingle | Silvia Datteroni «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista Anuario de Estudios Filológicos censorship italian literature natalia ginzburg franco regime |
| title | «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista |
| title_full | «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista |
| title_fullStr | «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista |
| title_full_unstemmed | «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista |
| title_short | «No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista |
| title_sort | no debe autorizarse censura previa de la obra de natalia ginzburg en la espana franquista |
| topic | censorship italian literature natalia ginzburg franco regime |
| work_keys_str_mv | AT silviadatteroni nodebeautorizarsecensurapreviadelaobradenataliaginzburgenlaespanafranquista |