On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art

The article examines the similarities and differences between the Russian folk singing tradition and church singing art. The author discusses the common principles of melodic organization of tunes based on typical melodic turns, the possibility of performing different verbal texts on the same tune (...

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Main Author: Pashina Olga A.
Format: Article
Language:English
Published: State Institute for Art Studies 2024-12-01
Series:Художественная культура
Subjects:
Online Access:https://artculturestudies.sias.ru/upload/iblock/b93/stln6ij7huu1xjfbv5icuoenzpwict56/hk_2024_4_602.pdf
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author Pashina Olga A.
author_facet Pashina Olga A.
author_sort Pashina Olga A.
collection DOAJ
description The article examines the similarities and differences between the Russian folk singing tradition and church singing art. The author discusses the common principles of melodic organization of tunes based on typical melodic turns, the possibility of performing different verbal texts on the same tune (model melodies (automela) in the church tradition and polytext chants in the folk tradition), and the similarity of the principles of melismatic chanting of poetic texts in church hymns and folk long lyrical songs.
format Article
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issn 2226-0072
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publishDate 2024-12-01
publisher State Institute for Art Studies
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series Художественная культура
spelling doaj-art-1f91f2d85cb640a8aadcd69b4b0f0c142025-08-20T02:49:18ZengState Institute for Art StudiesХудожественная культура2226-00722024-12-01460262110.51678/2226-0072-2024-4-602-621On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing ArtPashina Olga A.0https://orcid.org/0000-0003-4189-5835State Institute for Art StudiesThe article examines the similarities and differences between the Russian folk singing tradition and church singing art. The author discusses the common principles of melodic organization of tunes based on typical melodic turns, the possibility of performing different verbal texts on the same tune (model melodies (automela) in the church tradition and polytext chants in the folk tradition), and the similarity of the principles of melismatic chanting of poetic texts in church hymns and folk long lyrical songs.https://artculturestudies.sias.ru/upload/iblock/b93/stln6ij7huu1xjfbv5icuoenzpwict56/hk_2024_4_602.pdf russian folk singing culturechurch singing artgenetic relationshiptypological relationshipmelodic organization of tunesperforming techniquessinging terminology
spellingShingle Pashina Olga A.
On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
Художественная культура
russian folk singing culture
church singing art
genetic relationship
typological relationship
melodic organization of tunes
performing techniques
singing terminology
title On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
title_full On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
title_fullStr On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
title_full_unstemmed On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
title_short On the Genetic and Typological Relationship of the Russian Folk Singing Tradition and Church Singing Art
title_sort on the genetic and typological relationship of the russian folk singing tradition and church singing art
topic russian folk singing culture
church singing art
genetic relationship
typological relationship
melodic organization of tunes
performing techniques
singing terminology
url https://artculturestudies.sias.ru/upload/iblock/b93/stln6ij7huu1xjfbv5icuoenzpwict56/hk_2024_4_602.pdf
work_keys_str_mv AT pashinaolgaa onthegeneticandtypologicalrelationshipoftherussianfolksingingtraditionandchurchsingingart