Želimir Žilnik and Eastern European independent cinema

In my paper I will discuss the career of, a director born in 1942 in Nis in Yugoslavia, whose career, spanning over forty years and Yugoslavia, West Germany and Serbia, excellently illustrates the concepts of independent and transnational cinema and their interface. Žilnik’s career well illustrates...

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Main Author: Ewa Mazierska
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2013-01-01
Series:Images
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Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/3544
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author Ewa Mazierska
author_facet Ewa Mazierska
author_sort Ewa Mazierska
collection DOAJ
description In my paper I will discuss the career of, a director born in 1942 in Nis in Yugoslavia, whose career, spanning over forty years and Yugoslavia, West Germany and Serbia, excellently illustrates the concepts of independent and transnational cinema and their interface. Žilnik’s career well illustrates the advantages and pitfalls of “independent filmmaking”, especially in the context of Eastern Europe. Hence, in my paper, I will use his case to examine this concept, drawing on Marx and Marxist thought, such as the critique of the “culture industry” by Horkheimer and Adorno and the concept of “critical media” by Christian Fuchs, and the history of Eastern Europe and its cinema, with its figure of “artist-dissident” and the specific case of Yugoslavia. My main point is that there is no “independent cinema” in absolute terms; cinema can only be independent from something, hence ‘independent cinema’ means different things in different cultural contexts.
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publishDate 2013-01-01
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spelling doaj-art-1f1bd953c2af4cd6a499a1edff0df5be2025-08-20T03:52:51ZengAdam Mickiewicz University PressImages1731-450X2720-040X2013-01-01132210.14746/i.2013.22.09Želimir Žilnik and Eastern European independent cinemaEwa MazierskaIn my paper I will discuss the career of, a director born in 1942 in Nis in Yugoslavia, whose career, spanning over forty years and Yugoslavia, West Germany and Serbia, excellently illustrates the concepts of independent and transnational cinema and their interface. Žilnik’s career well illustrates the advantages and pitfalls of “independent filmmaking”, especially in the context of Eastern Europe. Hence, in my paper, I will use his case to examine this concept, drawing on Marx and Marxist thought, such as the critique of the “culture industry” by Horkheimer and Adorno and the concept of “critical media” by Christian Fuchs, and the history of Eastern Europe and its cinema, with its figure of “artist-dissident” and the specific case of Yugoslavia. My main point is that there is no “independent cinema” in absolute terms; cinema can only be independent from something, hence ‘independent cinema’ means different things in different cultural contexts.https://pressto.amu.edu.pl/index.php/i/article/view/3544Independent cinematransnational cinemaEastern Eurpean cinemacritical mediacultural industriesMarxism
spellingShingle Ewa Mazierska
Želimir Žilnik and Eastern European independent cinema
Images
Independent cinema
transnational cinema
Eastern Eurpean cinema
critical media
cultural industries
Marxism
title Želimir Žilnik and Eastern European independent cinema
title_full Želimir Žilnik and Eastern European independent cinema
title_fullStr Želimir Žilnik and Eastern European independent cinema
title_full_unstemmed Želimir Žilnik and Eastern European independent cinema
title_short Želimir Žilnik and Eastern European independent cinema
title_sort zelimir zilnik and eastern european independent cinema
topic Independent cinema
transnational cinema
Eastern Eurpean cinema
critical media
cultural industries
Marxism
url https://pressto.amu.edu.pl/index.php/i/article/view/3544
work_keys_str_mv AT ewamazierska zelimirzilnikandeasterneuropeanindependentcinema