“I Have All the Time in the World”: Bernadette Mayer’s Being in Time

This essay argues that several of Bernadette Mayer’s major works foreground and develop experiences of subjective time as moments of resistance to the standardizing force of objective clock and calendric time that governs daily material existence. Basing my argument on a framework for subjective tim...

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Main Author: Amy Moorman Robbins
Format: Article
Language:English
Published: MDPI AG 2025-07-01
Series:Humanities
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Online Access:https://www.mdpi.com/2076-0787/14/7/147
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author Amy Moorman Robbins
author_facet Amy Moorman Robbins
author_sort Amy Moorman Robbins
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description This essay argues that several of Bernadette Mayer’s major works foreground and develop experiences of subjective time as moments of resistance to the standardizing force of objective clock and calendric time that governs daily material existence. Basing my argument on a framework for subjective time developed in the field of linguistics, I show how Mayer’s play with duration, temporal recursiveness, and moments of stopped time in works including <i>Memory</i>, <i>Midwinter Day</i>, <i>Works and Days</i>, and <i>Milkweed Smithereens</i> function as subversions of the normative material every day, and I argue that throughout her work Mayer is preoccupied with not merely representing time, its content, and its passage, but rather with gaining mastery over objective time and subverting its authority altogether. This essay joins the scant research on time and temporality in Mayer’s work and offers an invitation to further study of subjective time as a mode of resistance in contemporary poetry.
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spelling doaj-art-1eb8afb13e2a46dd8bab2d8e7fa115912025-08-20T02:45:46ZengMDPI AGHumanities2076-07872025-07-0114714710.3390/h14070147“I Have All the Time in the World”: Bernadette Mayer’s Being in TimeAmy Moorman Robbins0Department of English, Hunter College, New York, NY 10065, USAThis essay argues that several of Bernadette Mayer’s major works foreground and develop experiences of subjective time as moments of resistance to the standardizing force of objective clock and calendric time that governs daily material existence. Basing my argument on a framework for subjective time developed in the field of linguistics, I show how Mayer’s play with duration, temporal recursiveness, and moments of stopped time in works including <i>Memory</i>, <i>Midwinter Day</i>, <i>Works and Days</i>, and <i>Milkweed Smithereens</i> function as subversions of the normative material every day, and I argue that throughout her work Mayer is preoccupied with not merely representing time, its content, and its passage, but rather with gaining mastery over objective time and subverting its authority altogether. This essay joins the scant research on time and temporality in Mayer’s work and offers an invitation to further study of subjective time as a mode of resistance in contemporary poetry.https://www.mdpi.com/2076-0787/14/7/147Bernadette MayerNew York Schoolhybrid poetrypoetry and timecontemporary women’s poetryfeminist experimentation
spellingShingle Amy Moorman Robbins
“I Have All the Time in the World”: Bernadette Mayer’s Being in Time
Humanities
Bernadette Mayer
New York School
hybrid poetry
poetry and time
contemporary women’s poetry
feminist experimentation
title “I Have All the Time in the World”: Bernadette Mayer’s Being in Time
title_full “I Have All the Time in the World”: Bernadette Mayer’s Being in Time
title_fullStr “I Have All the Time in the World”: Bernadette Mayer’s Being in Time
title_full_unstemmed “I Have All the Time in the World”: Bernadette Mayer’s Being in Time
title_short “I Have All the Time in the World”: Bernadette Mayer’s Being in Time
title_sort i have all the time in the world bernadette mayer s being in time
topic Bernadette Mayer
New York School
hybrid poetry
poetry and time
contemporary women’s poetry
feminist experimentation
url https://www.mdpi.com/2076-0787/14/7/147
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