Krajobraz miasta w narracji filmów dokumentalnych o Lublinie

The article is an attempt at a critical original analysis of documentary films in relation to the documentary and narrative function of the landscape. The author treats the film space as a ‘world picture’ as understood by Martin Heidegger, and in this context, she presents her own model of se...

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Main Author: Natasza Ziółkowska-Kurczuk
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2024-12-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/45563
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author Natasza Ziółkowska-Kurczuk
author_facet Natasza Ziółkowska-Kurczuk
author_sort Natasza Ziółkowska-Kurczuk
collection DOAJ
description The article is an attempt at a critical original analysis of documentary films in relation to the documentary and narrative function of the landscape. The author treats the film space as a ‘world picture’ as understood by Martin Heidegger, and in this context, she presents her own model of seeing and understanding the world present in her own documentary work. The landscape here is saturated with meanings, especially emptiness, lack and post-memory, which speaks the most in a metaphorical way about the non-existent world. The author also refers to Walter Benjamin’s concept of the city as a book, and reads the history of multicultural Lublin, a kind of ghost town, form this perspective. The article is therefore an original attempt to discover the mental layer of the film, which is usually beyond the reach of its recipient.
format Article
id doaj-art-1eaf6d4f2ac349c6b5608c3dd42ebd6b
institution Kabale University
issn 1731-450X
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language English
publishDate 2024-12-01
publisher Adam Mickiewicz University Press
record_format Article
series Images
spelling doaj-art-1eaf6d4f2ac349c6b5608c3dd42ebd6b2025-08-20T03:52:51ZengAdam Mickiewicz University PressImages1731-450X2720-040X2024-12-01374610.14746/i.2024.37.46.20Krajobraz miasta w narracji filmów dokumentalnych o LublinieNatasza Ziółkowska-Kurczuk0https://orcid.org/0000-0002-4268-8187Maria Curie-Skłodowska University The article is an attempt at a critical original analysis of documentary films in relation to the documentary and narrative function of the landscape. The author treats the film space as a ‘world picture’ as understood by Martin Heidegger, and in this context, she presents her own model of seeing and understanding the world present in her own documentary work. The landscape here is saturated with meanings, especially emptiness, lack and post-memory, which speaks the most in a metaphorical way about the non-existent world. The author also refers to Walter Benjamin’s concept of the city as a book, and reads the history of multicultural Lublin, a kind of ghost town, form this perspective. The article is therefore an original attempt to discover the mental layer of the film, which is usually beyond the reach of its recipient. https://pressto.amu.edu.pl/index.php/i/article/view/45563landscapespacenarrationdocumentarypostmemory
spellingShingle Natasza Ziółkowska-Kurczuk
Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
Images
landscape
space
narration
documentary
postmemory
title Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
title_full Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
title_fullStr Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
title_full_unstemmed Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
title_short Krajobraz miasta w narracji filmów dokumentalnych o Lublinie
title_sort krajobraz miasta w narracji filmow dokumentalnych o lublinie
topic landscape
space
narration
documentary
postmemory
url https://pressto.amu.edu.pl/index.php/i/article/view/45563
work_keys_str_mv AT nataszaziołkowskakurczuk krajobrazmiastawnarracjifilmowdokumentalnycholublinie