Romantismus, osvícenství a fantastický hrdina

This article attempts to discover the roots of fantastic literature. In comparison with popular opinion of fantasy being a succesor of romanticism, this article shows that the popular opinion constitutes only half of the truth. Admittedly works of C. S. Lewis, J. R. R. Tolkien or R. E. Howard share...

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Main Author: Nikola Balaš
Format: Article
Language:ces
Published: University of West Bohemia, Pilsen 2010-12-01
Series:AntropoWebzin
Subjects:
Online Access:http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/107
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author Nikola Balaš
author_facet Nikola Balaš
author_sort Nikola Balaš
collection DOAJ
description This article attempts to discover the roots of fantastic literature. In comparison with popular opinion of fantasy being a succesor of romanticism, this article shows that the popular opinion constitutes only half of the truth. Admittedly works of C. S. Lewis, J. R. R. Tolkien or R. E. Howard share distinctive romantic elements – enmity toward modernity, longing for traditional society or love for the nature. Nevertheless there is a tangible evidence that fantasy as a literary, movie or video game genre has much in common with enlightenment world-view. Prime example of this influence is the archetype of fantastic hero. Usually individualistic in essence fantastic heroes confront their nefarious adversaries in order emerge victoriously in the end. With emphasis on autonomy and individual authenticity behaviour of those literary heroes therefore serves as a pattern for modern people to follow. Is fantasy genre either to be understood as a sort of escapist literature or as an user manual for living in modern world?
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spelling doaj-art-1e1810efa21f4dfb99df201f55638c982025-08-20T02:42:07ZcesUniversity of West Bohemia, PilsenAntropoWebzin1801-88072010-12-0163157160107Romantismus, osvícenství a fantastický hrdinaNikola Balaš0Department of Anthropology, Faculty of Philosophy and Arts, West Bohemian University in PilsenThis article attempts to discover the roots of fantastic literature. In comparison with popular opinion of fantasy being a succesor of romanticism, this article shows that the popular opinion constitutes only half of the truth. Admittedly works of C. S. Lewis, J. R. R. Tolkien or R. E. Howard share distinctive romantic elements – enmity toward modernity, longing for traditional society or love for the nature. Nevertheless there is a tangible evidence that fantasy as a literary, movie or video game genre has much in common with enlightenment world-view. Prime example of this influence is the archetype of fantastic hero. Usually individualistic in essence fantastic heroes confront their nefarious adversaries in order emerge victoriously in the end. With emphasis on autonomy and individual authenticity behaviour of those literary heroes therefore serves as a pattern for modern people to follow. Is fantasy genre either to be understood as a sort of escapist literature or as an user manual for living in modern world?http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/107fantastic literatureliterary analysisromanticismenlightenmentfantastic heroliminality
spellingShingle Nikola Balaš
Romantismus, osvícenství a fantastický hrdina
AntropoWebzin
fantastic literature
literary analysis
romanticism
enlightenment
fantastic hero
liminality
title Romantismus, osvícenství a fantastický hrdina
title_full Romantismus, osvícenství a fantastický hrdina
title_fullStr Romantismus, osvícenství a fantastický hrdina
title_full_unstemmed Romantismus, osvícenství a fantastický hrdina
title_short Romantismus, osvícenství a fantastický hrdina
title_sort romantismus osvicenstvi a fantasticky hrdina
topic fantastic literature
literary analysis
romanticism
enlightenment
fantastic hero
liminality
url http://antropologie.zcu.cz/webzin/index.php/webzin/article/view/107
work_keys_str_mv AT nikolabalas romantismusosvicenstviafantastickyhrdina