De l’unité des arts comme résistance : The Claims of Decorative Art de Walter Crane
Though Walter Crane is very famous for his illustrations, his work as a theoretician is sometimes overlooked. Strongly influenced by John Ruskin and William Morris, Walter Crane developed the idea of the unity of art as an essential condition for a rewarding artistic production and a satisfactory so...
Saved in:
Main Author: | Isabelle Cases |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2012-06-01
|
Series: | Cahiers Victoriens et Edouardiens |
Subjects: | |
Online Access: | https://journals.openedition.org/cve/1631 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts
by: Martine Lambert-Charbonnier
Published: (2020-06-01) -
Walter Crane : de l’album considéré comme un des Beaux-Arts
by: Isabelle Guillaume
Published: (2022-10-01) -
The Journey of Stars in Islamic Art A Critique on the Book Following the Stars: Images of the Zodiac in Islamic Art
by: Majid Behdani, et al.
Published: (2021-07-01) -
La photographie à la Librairie centrale des Beaux-Arts – Éditions Albert Lévy (1906-1936)
by: Maud Allera
Published: (2017-05-01) -
Un patrimoine redécouvert : les dépôts du Centre national des arts plastiques à l’École nationale supérieure des beaux-arts de Paris (1809-1923)
by: Stéphane Allavena
Published: (2019-02-01)