Las músicas amerindias del Chaco argentino entre la hibridación y la exotización
Starting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peo...
Saved in:
Main Authors: | Silvia Citro, Soledad Torres Agüero |
---|---|
Format: | Article |
Language: | English |
Published: |
Société des américanistes
2015-12-01
|
Series: | Journal de la Société des Américanistes |
Subjects: | |
Online Access: | https://journals.openedition.org/jsa/14358 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Esposos y amantes consanguíneos entre los tobas (qom) del Gran Chaco
by: Florencia Tola
Published: (2014-09-01) -
“Haciendo un freestyle con los qompas”: juegos verbales y recontextualización de géneros discursivos en el rap qom
by: Victoria Beiras del Carril, et al.
Published: (2020-06-01) -
Antiguos actores de un nuevo régimen: indígenas y afrodescendientes en el Paraguay de la Independencia
by: Ignacio Telesca, et al.
Published: (2011-12-01) -
THE ROLE OF CALDERA GEOPARK IN TOURISM DEVELOPMENT OF LAKE TOBA SUPER PRIORITY DESTINATIONS, INDONESIA
by: Bejo MULYADI, et al.
Published: (2024-09-01) -
Nuevos escenarios que ameritan la implementación de la quiebra en Cuba
by: Isnel Martínez-Montenegro, et al.
Published: (2016-01-01)