Aux frontières poreuses des cartes palestiniennes et de l'art contemporain
Numerous contemporary Palestinian artists take on maps, either as patterns (classical maps simply emerge in the space of their work) or as conceptual models to structure their projects. Through the study of videos such as M* of Bethlehem [Ayreen Anastas, 2003], Red, Dead and Mediterranean [Akram Al-...
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Format: | Article |
Language: | English |
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Université de Provence
2013-12-01
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Series: | Revue des Mondes Musulmans et de la Méditerranée |
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Online Access: | https://journals.openedition.org/remmm/8229 |
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author | Anaïs Farine |
author_facet | Anaïs Farine |
author_sort | Anaïs Farine |
collection | DOAJ |
description | Numerous contemporary Palestinian artists take on maps, either as patterns (classical maps simply emerge in the space of their work) or as conceptual models to structure their projects. Through the study of videos such as M* of Bethlehem [Ayreen Anastas, 2003], Red, Dead and Mediterranean [Akram Al-Ashqar, 2006], and We Began by Measuring Distance [Basma Al-sharif, 2009], we attempted to examine the displacement of artistic boundaries and the representation of geopolitical space within contemporary Palestinian moving images. Through investigating the different devices put in place by the three artists in order to reclaim the territory and give it meaning and unity, our study reveals that these works address with great subtlety the space concerns of a particular movement in contemporary art and have therefore become essential. |
format | Article |
id | doaj-art-1c63d02e16574564a22994ae345b733f |
institution | Kabale University |
issn | 0997-1327 2105-2271 |
language | English |
publishDate | 2013-12-01 |
publisher | Université de Provence |
record_format | Article |
series | Revue des Mondes Musulmans et de la Méditerranée |
spelling | doaj-art-1c63d02e16574564a22994ae345b733f2025-01-09T13:22:27ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712013-12-01134718310.4000/remmm.8229Aux frontières poreuses des cartes palestiniennes et de l'art contemporainAnaïs FarineNumerous contemporary Palestinian artists take on maps, either as patterns (classical maps simply emerge in the space of their work) or as conceptual models to structure their projects. Through the study of videos such as M* of Bethlehem [Ayreen Anastas, 2003], Red, Dead and Mediterranean [Akram Al-Ashqar, 2006], and We Began by Measuring Distance [Basma Al-sharif, 2009], we attempted to examine the displacement of artistic boundaries and the representation of geopolitical space within contemporary Palestinian moving images. Through investigating the different devices put in place by the three artists in order to reclaim the territory and give it meaning and unity, our study reveals that these works address with great subtlety the space concerns of a particular movement in contemporary art and have therefore become essential.https://journals.openedition.org/remmm/8229PalestineContemporary ArtCartographyArtist vidéoAkram Al-AshkarAyreen Anastas |
spellingShingle | Anaïs Farine Aux frontières poreuses des cartes palestiniennes et de l'art contemporain Revue des Mondes Musulmans et de la Méditerranée Palestine Contemporary Art Cartography Artist vidéo Akram Al-Ashkar Ayreen Anastas |
title | Aux frontières poreuses des cartes palestiniennes et de l'art contemporain |
title_full | Aux frontières poreuses des cartes palestiniennes et de l'art contemporain |
title_fullStr | Aux frontières poreuses des cartes palestiniennes et de l'art contemporain |
title_full_unstemmed | Aux frontières poreuses des cartes palestiniennes et de l'art contemporain |
title_short | Aux frontières poreuses des cartes palestiniennes et de l'art contemporain |
title_sort | aux frontieres poreuses des cartes palestiniennes et de l art contemporain |
topic | Palestine Contemporary Art Cartography Artist vidéo Akram Al-Ashkar Ayreen Anastas |
url | https://journals.openedition.org/remmm/8229 |
work_keys_str_mv | AT anaisfarine auxfrontieresporeusesdescartespalestiniennesetdelartcontemporain |