De la paix à la guerre, de la fiction au documentaire. Alexandre Dovjenko et Youlia Solntseva
Aleksandre Dovzhenko's artistic trajectory underwent a critical change during the Second World War. For private as well as public reasons, the by then famous Soviet director refused the mission ascribed to feature film directors -- that is contributing to general mobilisation of the country fro...
Saved in:
Main Author: | Vanessa Voisin |
---|---|
Format: | Article |
Language: | deu |
Published: |
Conserveries Mémorielles
2020-09-01
|
Series: | Conserveries Mémorielles |
Subjects: | |
Online Access: | https://journals.openedition.org/cm/4549 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
La dimension vocale de la propagande
by: Oksana Bulgakowa
Published: (2020-09-01) -
Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ?
by: Sarah Hatchuel
Published: (2009-12-01) -
De la recherche scientifique au documentaire sur la migration, des mémoires en mouvement
by: Eva Léger
Published: (2021-01-01) -
Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée
by: Eric Aunoble
Published: (2020-08-01) -
Introduction : "L'Humanité", la guerre et la paix
by: Alexandre Courban
Published: (2003-07-01)