Chinese animation and its evolution and cultural background
Philosophy is a system that analyzes the most basic beliefs, concepts and calmness of temper and judgement befitting a philosopher. Chinese animated features have made great inroads in worldwide markets in recent years, despite the fact that China's animation sector is just a teenager compared...
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| Format: | Article |
| Language: | English |
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Universidade Estadual Paulista
2024-01-01
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| Series: | Trans/Form/Ação |
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| Online Access: | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14628 |
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| author | Shengchong Man |
| author_facet | Shengchong Man |
| author_sort | Shengchong Man |
| collection | DOAJ |
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Philosophy is a system that analyzes the most basic beliefs, concepts and calmness of temper and judgement befitting a philosopher. Chinese animated features have made great inroads in worldwide markets in recent years, despite the fact that China's animation sector is just a teenager compared to its decades-old counterpart in Japan’s philosophy. While some animation studios are creating content specifically for international audiences, the Chinese animation industry is primarily concerned with the domestic market because it believes that high-quality Chinese animation has the potential to travel. Artists, philosophers and those in the creative industries, directly tied to this, have an incentive and challenge to discover those stories that can succeed in Chinese and international markets. Therefore, this article analyzes and contrasts the characteristics of Chinese film animation philosophies. The social and cultural context, market economic development and technological advancement that have shaped the philosophical design of Chinese animation are examined. The philosophical approaches that are assessed in this study are Donghua and Manhua, and Daoist philosophy that exemplified from Zhuangzi.
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| format | Article |
| id | doaj-art-1bb5c8d513294b3db191254f55e2abf9 |
| institution | OA Journals |
| issn | 0101-3173 1980-539X |
| language | English |
| publishDate | 2024-01-01 |
| publisher | Universidade Estadual Paulista |
| record_format | Article |
| series | Trans/Form/Ação |
| spelling | doaj-art-1bb5c8d513294b3db191254f55e2abf92025-08-20T01:48:02ZengUniversidade Estadual PaulistaTrans/Form/Ação0101-31731980-539X2024-01-0147410.5072/0101-3173.2024.v47.n4.pe0240051Chinese animation and its evolution and cultural backgroundShengchong Man0https://orcid.org/0000-0001-8494-5041Communication University of Zhejiang Philosophy is a system that analyzes the most basic beliefs, concepts and calmness of temper and judgement befitting a philosopher. Chinese animated features have made great inroads in worldwide markets in recent years, despite the fact that China's animation sector is just a teenager compared to its decades-old counterpart in Japan’s philosophy. While some animation studios are creating content specifically for international audiences, the Chinese animation industry is primarily concerned with the domestic market because it believes that high-quality Chinese animation has the potential to travel. Artists, philosophers and those in the creative industries, directly tied to this, have an incentive and challenge to discover those stories that can succeed in Chinese and international markets. Therefore, this article analyzes and contrasts the characteristics of Chinese film animation philosophies. The social and cultural context, market economic development and technological advancement that have shaped the philosophical design of Chinese animation are examined. The philosophical approaches that are assessed in this study are Donghua and Manhua, and Daoist philosophy that exemplified from Zhuangzi. https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14628Calmness of temperChinese animationCultural contextDaoist philosophyZhuangzi |
| spellingShingle | Shengchong Man Chinese animation and its evolution and cultural background Trans/Form/Ação Calmness of temper Chinese animation Cultural context Daoist philosophy Zhuangzi |
| title | Chinese animation and its evolution and cultural background |
| title_full | Chinese animation and its evolution and cultural background |
| title_fullStr | Chinese animation and its evolution and cultural background |
| title_full_unstemmed | Chinese animation and its evolution and cultural background |
| title_short | Chinese animation and its evolution and cultural background |
| title_sort | chinese animation and its evolution and cultural background |
| topic | Calmness of temper Chinese animation Cultural context Daoist philosophy Zhuangzi |
| url | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/14628 |
| work_keys_str_mv | AT shengchongman chineseanimationanditsevolutionandculturalbackground |