Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione

In 1878, after the death of Vittorio Emanuele II, the idea of erecting a monument in Rome to commemorate his memory and symbolize “modernity” in the Eternal City was proposed, leading to extensive demolition activities. The Vittoriano became the witness of political and cultural change: from a monum...

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Main Author: Marco Pizzo
Format: Article
Language:English
Published: Alma Diamond, University of Bologna 2024-09-01
Series:Museum, Materials and Discussions
Subjects:
Online Access:https://mmdjournal.unibo.it/article/view/20191
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author Marco Pizzo
author_facet Marco Pizzo
author_sort Marco Pizzo
collection DOAJ
description In 1878, after the death of Vittorio Emanuele II, the idea of erecting a monument in Rome to commemorate his memory and symbolize “modernity” in the Eternal City was proposed, leading to extensive demolition activities. The Vittoriano became the witness of political and cultural change: from a monument erected to the memory of Vittorio Emanuele II to the Altare della Patria and shrine of the Unknown Soldier, eventually becoming a panoramic Belvedere after 2000. Particularly after the Second World War, a sort of damnatio memoriae of the Vittoriano developed, which found its clarification in a public trial organized in 1986. This loss of memory, which corresponds not only to a similar loss of “meaning”, was accompanied by what has been read as a real contempt for modern monuments.
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publisher Alma Diamond, University of Bologna
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series Museum, Materials and Discussions
spelling doaj-art-1b5a4b20c47947a28667fdccaa993bc82025-08-20T03:47:10ZengAlma Diamond, University of BolognaMuseum, Materials and Discussions3034-96992024-09-0112173310.6092/issn.3034-9699/2019118559Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazioneMarco Pizzo0Museo Centrale del Risorgimento del Vittoriano di RomaIn 1878, after the death of Vittorio Emanuele II, the idea of erecting a monument in Rome to commemorate his memory and symbolize “modernity” in the Eternal City was proposed, leading to extensive demolition activities. The Vittoriano became the witness of political and cultural change: from a monument erected to the memory of Vittorio Emanuele II to the Altare della Patria and shrine of the Unknown Soldier, eventually becoming a panoramic Belvedere after 2000. Particularly after the Second World War, a sort of damnatio memoriae of the Vittoriano developed, which found its clarification in a public trial organized in 1986. This loss of memory, which corresponds not only to a similar loss of “meaning”, was accompanied by what has been read as a real contempt for modern monuments.https://mmdjournal.unibo.it/article/view/20191vittorianomuseo centrale del risorgimentomonumentmemory
spellingShingle Marco Pizzo
Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
Museum, Materials and Discussions
vittoriano
museo centrale del risorgimento
monument
memory
title Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
title_full Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
title_fullStr Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
title_full_unstemmed Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
title_short Il Vittoriano: costruzione, morte e rinascita di un simbolo della nazione
title_sort il vittoriano costruzione morte e rinascita di un simbolo della nazione
topic vittoriano
museo centrale del risorgimento
monument
memory
url https://mmdjournal.unibo.it/article/view/20191
work_keys_str_mv AT marcopizzo ilvittorianocostruzionemorteerinascitadiunsimbolodellanazione