Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu

Enki Bilal’s graphic work captures the reader’s mind by its pessimistic dystopias, which feature characters who are broken by political and technological systems colonizing spirits and bodies. Bilalian and cyberpunk pictures refer to a corporeality endlessly questioned by hypermodernity and embodyin...

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Main Authors: Pierrick Desfontaine, Silvio Maltagliati , Jean-Nicolas Renaud 
Format: Article
Language:fra
Published: Université Gustave Eiffel 2021-12-01
Series:ReS Futurae
Subjects:
Online Access:https://journals.openedition.org/resf/10454
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author Pierrick Desfontaine
Silvio Maltagliati 
Jean-Nicolas Renaud 
author_facet Pierrick Desfontaine
Silvio Maltagliati 
Jean-Nicolas Renaud 
author_sort Pierrick Desfontaine
collection DOAJ
description Enki Bilal’s graphic work captures the reader’s mind by its pessimistic dystopias, which feature characters who are broken by political and technological systems colonizing spirits and bodies. Bilalian and cyberpunk pictures refer to a corporeality endlessly questioned by hypermodernity and embodying hypersportivity. The hypersport moments which punctuate this eclectic artist’s work enable to suggest a vision of tomorrow’s bodies while raising issues about today’s excesses of sport. The future of football is the topic of a full album, in collaboration with Patrick Cauvin. Hors Jeu (1987) constitutes an opportunity to analyse this culture of excess through the lens of players’ identity troubles, hybridation of the body by the machine and physical and symbolic violence, expressed on the pitch and beyond.
format Article
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institution DOAJ
issn 2264-6949
language fra
publishDate 2021-12-01
publisher Université Gustave Eiffel
record_format Article
series ReS Futurae
spelling doaj-art-1ace05c0be1f438d90cae29d7eae77702025-08-20T02:41:56ZfraUniversité Gustave EiffelReS Futurae2264-69492021-12-011810.4000/resf.10454Enki Bilal et l’anticipation d’une hypersportivité : le football Hors JeuPierrick DesfontaineSilvio Maltagliati Jean-Nicolas Renaud Enki Bilal’s graphic work captures the reader’s mind by its pessimistic dystopias, which feature characters who are broken by political and technological systems colonizing spirits and bodies. Bilalian and cyberpunk pictures refer to a corporeality endlessly questioned by hypermodernity and embodying hypersportivity. The hypersport moments which punctuate this eclectic artist’s work enable to suggest a vision of tomorrow’s bodies while raising issues about today’s excesses of sport. The future of football is the topic of a full album, in collaboration with Patrick Cauvin. Hors Jeu (1987) constitutes an opportunity to analyse this culture of excess through the lens of players’ identity troubles, hybridation of the body by the machine and physical and symbolic violence, expressed on the pitch and beyond.https://journals.openedition.org/resf/10454cyberpunkcomicsdystopiatechnologyposthumanBilal (Enki)
spellingShingle Pierrick Desfontaine
Silvio Maltagliati 
Jean-Nicolas Renaud 
Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
ReS Futurae
cyberpunk
comics
dystopia
technology
posthuman
Bilal (Enki)
title Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
title_full Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
title_fullStr Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
title_full_unstemmed Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
title_short Enki Bilal et l’anticipation d’une hypersportivité : le football Hors Jeu
title_sort enki bilal et l anticipation d une hypersportivite le football hors jeu
topic cyberpunk
comics
dystopia
technology
posthuman
Bilal (Enki)
url https://journals.openedition.org/resf/10454
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AT silviomaltagliati enkibilaletlanticipationdunehypersportivitelefootballhorsjeu
AT jeannicolasrenaud enkibilaletlanticipationdunehypersportivitelefootballhorsjeu