Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe

Medieval literature is generally unknown, and is mainly addressed by numerous rewritings and adaptations through different media. The legend of King Arthur, for example, is mostly known through its adaptation into comics, movies or TV series. However, it is necessary to take into account in its diff...

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Main Author: Justine Breton
Format: Article
Language:English
Published: Société de Langues et de Littératures Médiévales d'Oc et d'Oil 2015-01-01
Series:Perspectives Médiévales
Subjects:
Online Access:https://journals.openedition.org/peme/7530
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author Justine Breton
author_facet Justine Breton
author_sort Justine Breton
collection DOAJ
description Medieval literature is generally unknown, and is mainly addressed by numerous rewritings and adaptations through different media. The legend of King Arthur, for example, is mostly known through its adaptation into comics, movies or TV series. However, it is necessary to take into account in its diffusion the vast and often neglected influence of the Broadway musical Camelot (1960), by Alan Jay Lerner and Frederick Loewe. This musical is based on Thomas Malory’s Le Morte d’Arthur, and on Terence Hanbury White’s famous rewriting of the medieval text, The Once and Future King. Camelot gives a musical life to the great and idyllic Arthurian reign, clouded by internal conflicts and deeply-rooted rivalries within the court. The musical, which considerably contributed to the success of the Arthurian myth in the U.S., seems to be an abstract of the medieval sources, and highlights the universal love story through a prestigious cast.
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spelling doaj-art-19458b4da0b148f78da9c98d472ef0882025-01-13T15:29:25ZengSociété de Langues et de Littératures Médiévales d'Oc et d'OilPerspectives Médiévales2262-55342015-01-013610.4000/peme.7530Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et LoeweJustine BretonMedieval literature is generally unknown, and is mainly addressed by numerous rewritings and adaptations through different media. The legend of King Arthur, for example, is mostly known through its adaptation into comics, movies or TV series. However, it is necessary to take into account in its diffusion the vast and often neglected influence of the Broadway musical Camelot (1960), by Alan Jay Lerner and Frederick Loewe. This musical is based on Thomas Malory’s Le Morte d’Arthur, and on Terence Hanbury White’s famous rewriting of the medieval text, The Once and Future King. Camelot gives a musical life to the great and idyllic Arthurian reign, clouded by internal conflicts and deeply-rooted rivalries within the court. The musical, which considerably contributed to the success of the Arthurian myth in the U.S., seems to be an abstract of the medieval sources, and highlights the universal love story through a prestigious cast.https://journals.openedition.org/peme/7530musical
spellingShingle Justine Breton
Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
Perspectives Médiévales
musical
title Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
title_full Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
title_fullStr Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
title_full_unstemmed Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
title_short Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe
title_sort une nouvelle approche du morte d arthur de malory au xxe siecle la reecriture musicale de lerner et loewe
topic musical
url https://journals.openedition.org/peme/7530
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