Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité
The notion of cultural accessibility raises questions that are linked to issues related to digital technologies. However, in the field of disability, cultural accessibility through digital technology suffers from a lack of research, particularly empirical research. As a result, the needs, practices...
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| Format: | Article |
| Language: | fra |
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Association de Recherche en Technologies de l’Information et de la Communication
2018-12-01
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| Series: | Tic & Société |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ticetsociete/2877 |
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| _version_ | 1850149988734074880 |
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| author | Mélanie Hénault-Tessier Thibault Christophe Nathalie NEGREL |
| author_facet | Mélanie Hénault-Tessier Thibault Christophe Nathalie NEGREL |
| author_sort | Mélanie Hénault-Tessier |
| collection | DOAJ |
| description | The notion of cultural accessibility raises questions that are linked to issues related to digital technologies. However, in the field of disability, cultural accessibility through digital technology suffers from a lack of research, particularly empirical research. As a result, the needs, practices and opinions of those concerned by accessibility processes remain largely unknown, and the role and status of technologies in these processes remains ambiguous. Taking the musical experiences of deaf and hard of hearing audiences during a hip-hop festival, as an entry point, we question how digital technology participates in their singular musical experiences. We observe that these experiences challenge the notion of accessibility and that digital technologies’ contribution to both defining accessibility processes and their users raises specific issues. |
| format | Article |
| id | doaj-art-18e7d3ef5ab44fd580b641d25de531dd |
| institution | OA Journals |
| issn | 1961-9510 |
| language | fra |
| publishDate | 2018-12-01 |
| publisher | Association de Recherche en Technologies de l’Information et de la Communication |
| record_format | Article |
| series | Tic & Société |
| spelling | doaj-art-18e7d3ef5ab44fd580b641d25de531dd2025-08-20T02:26:42ZfraAssociation de Recherche en Technologies de l’Information et de la CommunicationTic & Société1961-95102018-12-011227510210.4000/ticetsociete.2877Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilitéMélanie Hénault-TessierThibault ChristopheNathalie NEGRELThe notion of cultural accessibility raises questions that are linked to issues related to digital technologies. However, in the field of disability, cultural accessibility through digital technology suffers from a lack of research, particularly empirical research. As a result, the needs, practices and opinions of those concerned by accessibility processes remain largely unknown, and the role and status of technologies in these processes remains ambiguous. Taking the musical experiences of deaf and hard of hearing audiences during a hip-hop festival, as an entry point, we question how digital technology participates in their singular musical experiences. We observe that these experiences challenge the notion of accessibility and that digital technologies’ contribution to both defining accessibility processes and their users raises specific issues.https://journals.openedition.org/ticetsociete/2877digital technologiesaccessibilitymusicdeafnessappropriability |
| spellingShingle | Mélanie Hénault-Tessier Thibault Christophe Nathalie NEGREL Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité Tic & Société digital technologies accessibility music deafness appropriability |
| title | Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité |
| title_full | Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité |
| title_fullStr | Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité |
| title_full_unstemmed | Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité |
| title_short | Sourds et malentendants comme publics de la musique. Le statut ambigu des technologies numériques dans une démarche d’accessibilité |
| title_sort | sourds et malentendants comme publics de la musique le statut ambigu des technologies numeriques dans une demarche d accessibilite |
| topic | digital technologies accessibility music deafness appropriability |
| url | https://journals.openedition.org/ticetsociete/2877 |
| work_keys_str_mv | AT melaniehenaulttessier sourdsetmalentendantscommepublicsdelamusiquelestatutambigudestechnologiesnumeriquesdansunedemarchedaccessibilite AT thibaultchristophe sourdsetmalentendantscommepublicsdelamusiquelestatutambigudestechnologiesnumeriquesdansunedemarchedaccessibilite AT nathalienegrel sourdsetmalentendantscommepublicsdelamusiquelestatutambigudestechnologiesnumeriquesdansunedemarchedaccessibilite |