Differences in the Iconography of the Plot the Last Supper in the Illuminations of the Gospels and Psalters of the 10th – 14th Centuries Created in the Byzantine Empire
The purpose of this study is to find and highlight the most striking pieces of the Last Supper in the examples of the Gospels and Psalters created on the territory of the Byzantine Empire in the 10th – 14th centuries, as well as to analyse the iconography and trace the development of the plot over t...
Saved in:
| Main Author: | Nataliia Dmytrenko |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
“George Enescu” National University of Arts of Iași
2021-05-01
|
| Series: | Anastasis: Research in Medieval Culture and Art |
| Subjects: | |
| Online Access: | https://anastasis-review.ro/wp-content/uploads/ARMCA-2021-VIII-1-05_Nataliia-Dmytrenko.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Filmowe reprezentacje ostatniej wieczerzy jako locus theologicus (trzy wizje biblijnej sceny)
by: Iwona Kolasińska-Pasterczyk
Published: (2021-12-01) -
When Did the Last Supper Come to an End: Polemic with the Thesis of S. Hahn
by: Mariusz Rosik
Published: (2020-12-01) -
Two Scenes in the Post-Resurrection Cycle: On the Road to Emmaus and the Supper at Emmaus
by: Hatice Demir
Published: (2021-08-01) -
The Popes of Rome in Post-Byzantine wall paintings from Romania
by: Vlad Bedros
Published: (2019-11-01) -
Mosaic Panel on Refrigerium from Sinop Balatlar Church and its Place in Byzantine Iconography
by: Ozan Hetto, et al.
Published: (2022-01-01)