Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare
"All that glisters is not gold"—this famous motto that was made popular by Shakespeare in one of his early comedies located in Italy, is regarded as a warning against the allurements of ornament and deceiving outward appearances. While the colours featured in Shakespeare's Venice are...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2017-12-01
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| Series: | Caliban: French Journal of English Studies |
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| Online Access: | https://journals.openedition.org/caliban/4508 |
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| author | Armelle Sabatier |
| author_facet | Armelle Sabatier |
| author_sort | Armelle Sabatier |
| collection | DOAJ |
| description | "All that glisters is not gold"—this famous motto that was made popular by Shakespeare in one of his early comedies located in Italy, is regarded as a warning against the allurements of ornament and deceiving outward appearances. While the colours featured in Shakespeare's Venice are more often than not envisioned as a stark contrast between black and white with his tragedy Othello, his comedy, The Merchant of Venice (1597), highlights the ambiguous and deceiving nature of the colour of gold, mocking the delusions stemming from human senses and exposing the illusions created by rhetorical and artistic trompe-l'oeil. By re-enacting the Greek myth of the Golden Fleece embodied by Portia's golden hair and her father's fortune as well as questioning the Italian literary model of feminine beauty, Shakespeare delves into the complex mechanism of colourful delusions on the page and the stage, highlighting the contrast, and sometimes conflict, between the cultural readings of colours and their visuality embodied on the stage. |
| format | Article |
| id | doaj-art-18b040ff7b4e40e9aef37507e7f7efab |
| institution | Kabale University |
| issn | 2425-6250 2431-1766 |
| language | English |
| publishDate | 2017-12-01 |
| publisher | Presses Universitaires du Midi |
| record_format | Article |
| series | Caliban: French Journal of English Studies |
| spelling | doaj-art-18b040ff7b4e40e9aef37507e7f7efab2025-08-20T03:39:54ZengPresses Universitaires du MidiCaliban: French Journal of English Studies2425-62502431-17662017-12-0158314810.4000/caliban.4508Les couleurs de la Méditerranée dans The Merchant of Venice de William ShakespeareArmelle Sabatier"All that glisters is not gold"—this famous motto that was made popular by Shakespeare in one of his early comedies located in Italy, is regarded as a warning against the allurements of ornament and deceiving outward appearances. While the colours featured in Shakespeare's Venice are more often than not envisioned as a stark contrast between black and white with his tragedy Othello, his comedy, The Merchant of Venice (1597), highlights the ambiguous and deceiving nature of the colour of gold, mocking the delusions stemming from human senses and exposing the illusions created by rhetorical and artistic trompe-l'oeil. By re-enacting the Greek myth of the Golden Fleece embodied by Portia's golden hair and her father's fortune as well as questioning the Italian literary model of feminine beauty, Shakespeare delves into the complex mechanism of colourful delusions on the page and the stage, highlighting the contrast, and sometimes conflict, between the cultural readings of colours and their visuality embodied on the stage.https://journals.openedition.org/caliban/4508couleurmythologieShakespeare (William)théâtretoison d'or |
| spellingShingle | Armelle Sabatier Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare Caliban: French Journal of English Studies couleur mythologie Shakespeare (William) théâtre toison d'or |
| title | Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare |
| title_full | Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare |
| title_fullStr | Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare |
| title_full_unstemmed | Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare |
| title_short | Les couleurs de la Méditerranée dans The Merchant of Venice de William Shakespeare |
| title_sort | les couleurs de la mediterranee dans the merchant of venice de william shakespeare |
| topic | couleur mythologie Shakespeare (William) théâtre toison d'or |
| url | https://journals.openedition.org/caliban/4508 |
| work_keys_str_mv | AT armellesabatier lescouleursdelamediterraneedansthemerchantofvenicedewilliamshakespeare |