A fotografia e o processo de construção social da memória
The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade do Vale do Rio dos Sinos (UNISINOS)
2011-01-01
|
| Series: | Ciências Sociais Unisinos |
| Subjects: | |
| Online Access: | http://www.redalyc.org/articulo.oa?id=93821299006 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The photograph as a document is almost always linked to memory, a visual memory that portrays, re-signifies and re-contextualizes the social action of the look. In this sense the photographer is a social actor who, among other things, intrumentalizes the look by highlighting aesthetic realities in a field of particular perception that becomes public, particularly today in a post-conventional social context. This paper reflects on this process of post-conventional change in which visual culture is situated and in which photography and memory are increasingly involved, weaving new identities. |
|---|---|
| ISSN: | 2177-6229 |