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The article seeks to show that the historicization of the ecological drama of the dumping of toxic and chemical waste in the city of Abidjan in Tanella Boni's novel Sans parole ni poignée de main gives it a particular aesthetic and generic specificity. The novel takes on new configurations and...
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| Main Author: | Vianney Damo Koffi |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association Portugaise d'Etudes Françaises
2024-11-01
|
| Series: | Carnets |
| Subjects: | |
| Online Access: | https://journals.openedition.org/carnets/15733 |
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