Time of Rome: Topography of Eternity

On September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque. Within its framework, a fascinating discussion unfolded, summing up the results of this exhibition project. T...

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Main Author: Sipovskaya Natalia V.
Format: Article
Language:English
Published: State Institute for Art Studies 2024-12-01
Series:Художественная культура
Subjects:
Online Access:https://artculturestudies.sias.ru/upload/iblock/116/yvwz8pecjlwwr0sqkx46zp3orwp9ogvm/hk_2024_4_798.pdf
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author Sipovskaya Natalia V.
author_facet Sipovskaya Natalia V.
author_sort Sipovskaya Natalia V.
collection DOAJ
description On September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque. Within its framework, a fascinating discussion unfolded, summing up the results of this exhibition project. The exposition, almost entirely based on Roman view engravings of the 16th – 18th centuries — a refined and exclusive material, — unexpectedly aroused wide interest, gathering a record number of visitors for the holiday season. The article makes an attempt to analyze the reasons for its popularity, as well as to summarize the issues raised by it.
format Article
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institution OA Journals
issn 2226-0072
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publishDate 2024-12-01
publisher State Institute for Art Studies
record_format Article
series Художественная культура
spelling doaj-art-182cb8cc89fe4fafb84dd161b59125b62025-08-20T02:36:34ZengState Institute for Art StudiesХудожественная культура2226-00722024-12-01479881510.51678/2226-0072-2024-4-798-815Time of Rome: Topography of EternitySipovskaya Natalia V.0https://orcid.org/0000-0002-0578-3687State Institute for Art StudiesOn September 10, 2024, the Pushkin State Museum of Fine Arts (Moscow) hosted a presentation of the Catalog of the large-scale exhibition Three Times of Rome. Antiquity. Renaissance. Baroque. Within its framework, a fascinating discussion unfolded, summing up the results of this exhibition project. The exposition, almost entirely based on Roman view engravings of the 16th – 18th centuries — a refined and exclusive material, — unexpectedly aroused wide interest, gathering a record number of visitors for the holiday season. The article makes an attempt to analyze the reasons for its popularity, as well as to summarize the issues raised by it.https://artculturestudies.sias.ru/upload/iblock/116/yvwz8pecjlwwr0sqkx46zp3orwp9ogvm/hk_2024_4_798.pdf romeantiquityrenaissancebaroquepoetics of ruinsview engravingsixtus vraphaelberninidomenico fontanaantonio tempesta
spellingShingle Sipovskaya Natalia V.
Time of Rome: Topography of Eternity
Художественная культура
rome
antiquity
renaissance
baroque
poetics of ruins
view engraving
sixtus v
raphael
bernini
domenico fontana
antonio tempesta
title Time of Rome: Topography of Eternity
title_full Time of Rome: Topography of Eternity
title_fullStr Time of Rome: Topography of Eternity
title_full_unstemmed Time of Rome: Topography of Eternity
title_short Time of Rome: Topography of Eternity
title_sort time of rome topography of eternity
topic rome
antiquity
renaissance
baroque
poetics of ruins
view engraving
sixtus v
raphael
bernini
domenico fontana
antonio tempesta
url https://artculturestudies.sias.ru/upload/iblock/116/yvwz8pecjlwwr0sqkx46zp3orwp9ogvm/hk_2024_4_798.pdf
work_keys_str_mv AT sipovskayanataliav timeofrometopographyofeternity