Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement

A television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most extreme cases, call into question its interest as suc...

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Main Author: Benjamin Campion
Format: Article
Language:English
Published: Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel 2023-07-01
Series:Mise au Point
Subjects:
Online Access:https://journals.openedition.org/map/6442
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author Benjamin Campion
author_facet Benjamin Campion
author_sort Benjamin Campion
collection DOAJ
description A television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most extreme cases, call into question its interest as such in the eyes of viewers and critics. Yet the re-evaluation of yesterday’s successes seems to be accelerating under the influence of an overabundant production and a simultaneous expression of opinion between professionals and amateurs. This study aims to put into perspective the different criteria selected (more or less consciously) by American critics to establish that a series has “tipped” over to the other side, after having been dubbed and covered with praise.
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series Mise au Point
spelling doaj-art-181a7c1068ec4d8b9fb3d0498fc244592025-08-20T02:21:59ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232023-07-011710.4000/map.6442Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirementBenjamin CampionA television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most extreme cases, call into question its interest as such in the eyes of viewers and critics. Yet the re-evaluation of yesterday’s successes seems to be accelerating under the influence of an overabundant production and a simultaneous expression of opinion between professionals and amateurs. This study aims to put into perspective the different criteria selected (more or less consciously) by American critics to establish that a series has “tipped” over to the other side, after having been dubbed and covered with praise.https://journals.openedition.org/map/6442televisionseriereviewturn-aroundPeak TV
spellingShingle Benjamin Campion
Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
Mise au Point
television
serie
review
turn-around
Peak TV
title Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
title_full Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
title_fullStr Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
title_full_unstemmed Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
title_short Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
title_sort quand le chef d oeuvre tombe en disgrace les series contemporaines face a la critique du revirement
topic television
serie
review
turn-around
Peak TV
url https://journals.openedition.org/map/6442
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