Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
A television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most extreme cases, call into question its interest as suc...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2023-07-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/6442 |
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| Summary: | A television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most extreme cases, call into question its interest as such in the eyes of viewers and critics. Yet the re-evaluation of yesterday’s successes seems to be accelerating under the influence of an overabundant production and a simultaneous expression of opinion between professionals and amateurs. This study aims to put into perspective the different criteria selected (more or less consciously) by American critics to establish that a series has “tipped” over to the other side, after having been dubbed and covered with praise. |
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| ISSN: | 2261-9623 |