Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)

Taking its cue from a broad definition of pornography in literature and building up on the ambiguous relationship uniting William Gass’s Willie Masters’ Lonesome Wife to its parodic response in Robert Coover’s “On Mrs. Willie Masters,” this article aims at interrogating the ways in which these texts...

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Main Author: Stéphane Vanderhaeghe
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2013-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/3444
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author Stéphane Vanderhaeghe
author_facet Stéphane Vanderhaeghe
author_sort Stéphane Vanderhaeghe
collection DOAJ
description Taking its cue from a broad definition of pornography in literature and building up on the ambiguous relationship uniting William Gass’s Willie Masters’ Lonesome Wife to its parodic response in Robert Coover’s “On Mrs. Willie Masters,” this article aims at interrogating the ways in which these texts, whose aesthetics verges on the pornographic, short-circuit the usual paths to meaning. If in both cases emphasis is put on the textual performance, the reader/critic sees herself beaten on her own turf and can only remark performatively, and give in to the evidence, that what these texts perform, overexposing them in the light of a writing given to simulation, are none other than her own critical obsessions.
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institution Kabale University
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spelling doaj-art-173435f890fa4694895adae6542bdbaa2025-01-30T13:47:31ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022013-12-011710.4000/sillagescritiques.3444Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)Stéphane VanderhaegheTaking its cue from a broad definition of pornography in literature and building up on the ambiguous relationship uniting William Gass’s Willie Masters’ Lonesome Wife to its parodic response in Robert Coover’s “On Mrs. Willie Masters,” this article aims at interrogating the ways in which these texts, whose aesthetics verges on the pornographic, short-circuit the usual paths to meaning. If in both cases emphasis is put on the textual performance, the reader/critic sees herself beaten on her own turf and can only remark performatively, and give in to the evidence, that what these texts perform, overexposing them in the light of a writing given to simulation, are none other than her own critical obsessions.https://journals.openedition.org/sillagescritiques/3444performativityreadingRobert CoovercriticismWilliam Gasspornography
spellingShingle Stéphane Vanderhaeghe
Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
Sillages Critiques
performativity
reading
Robert Coover
criticism
William Gass
pornography
title Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
title_full Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
title_fullStr Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
title_full_unstemmed Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
title_short Willie & Babs, Phil & Bob: “et moi, et moi, et moi…" (On Reading Pornography)
title_sort willie amp babs phil amp bob et moi et moi et moi on reading pornography
topic performativity
reading
Robert Coover
criticism
William Gass
pornography
url https://journals.openedition.org/sillagescritiques/3444
work_keys_str_mv AT stephanevanderhaeghe willieampbabsphilampbobetmoietmoietmoionreadingpornography