Introduction : génétique et théâtre
After having reminded the key stages of genetic criticism development, Françoise Simonet-Tenant, resumes specific features of theatrical genesis. Indeed, the text and the performance are often tightly linked one to another. Thus, there are more and more protagonists in piece’s conception which is ne...
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| Format: | Article |
| Language: | English |
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Institut des textes & manuscrits modernes (ITEM)
2016-12-01
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| Series: | Continents manuscrits |
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| Online Access: | https://journals.openedition.org/coma/688 |
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| _version_ | 1850262608123265024 |
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| author | Françoise Simonet-Tenant |
| author_facet | Françoise Simonet-Tenant |
| author_sort | Françoise Simonet-Tenant |
| collection | DOAJ |
| description | After having reminded the key stages of genetic criticism development, Françoise Simonet-Tenant, resumes specific features of theatrical genesis. Indeed, the text and the performance are often tightly linked one to another. Thus, there are more and more protagonists in piece’s conception which is never limited to the "author" ; and the piece’s preparation chronology reveals difficult to map out. In fact, it seems always transient, in a constant renewal of following performances. |
| format | Article |
| id | doaj-art-169ed94d37ee4e17b1b48571b450441a |
| institution | OA Journals |
| issn | 2275-1742 |
| language | English |
| publishDate | 2016-12-01 |
| publisher | Institut des textes & manuscrits modernes (ITEM) |
| record_format | Article |
| series | Continents manuscrits |
| spelling | doaj-art-169ed94d37ee4e17b1b48571b450441a2025-08-20T01:55:09ZengInstitut des textes & manuscrits modernes (ITEM)Continents manuscrits2275-17422016-12-01710.4000/coma.688Introduction : génétique et théâtreFrançoise Simonet-TenantAfter having reminded the key stages of genetic criticism development, Françoise Simonet-Tenant, resumes specific features of theatrical genesis. Indeed, the text and the performance are often tightly linked one to another. Thus, there are more and more protagonists in piece’s conception which is never limited to the "author" ; and the piece’s preparation chronology reveals difficult to map out. In fact, it seems always transient, in a constant renewal of following performances.https://journals.openedition.org/coma/688theatergenesis of the theatrical writinggenetic criticismperformance |
| spellingShingle | Françoise Simonet-Tenant Introduction : génétique et théâtre Continents manuscrits theater genesis of the theatrical writing genetic criticism performance |
| title | Introduction : génétique et théâtre |
| title_full | Introduction : génétique et théâtre |
| title_fullStr | Introduction : génétique et théâtre |
| title_full_unstemmed | Introduction : génétique et théâtre |
| title_short | Introduction : génétique et théâtre |
| title_sort | introduction genetique et theatre |
| topic | theater genesis of the theatrical writing genetic criticism performance |
| url | https://journals.openedition.org/coma/688 |
| work_keys_str_mv | AT francoisesimonettenant introductiongenetiqueettheatre |