A Manifesto for Media in a Warming World

Global warming is popularly visualized as distant, immaterial and abstract. Images of polar bears and melting icebergs paint climate change as a de-humanized and irrelevant phenomenon. But global warming is anything but irrelevant – it is a very real, very tangible and very material present reali...

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Main Author: Hanna E. Morris
Format: Article
Language:English
Published: Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ) 2018-12-01
Series:Media Theory
Online Access:https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/939
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author Hanna E. Morris
author_facet Hanna E. Morris
author_sort Hanna E. Morris
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description Global warming is popularly visualized as distant, immaterial and abstract. Images of polar bears and melting icebergs paint climate change as a de-humanized and irrelevant phenomenon. But global warming is anything but irrelevant – it is a very real, very tangible and very material present reality “stuck†to each and every one of us. Global warming is a physical act of unresolved imperial violence – with a disproportionate degree of impact on the “formerly†colonized world. And yet, this violence often goes unnoted. A visual intervention is required. In my manifesto, I propose a set of three intercessions for the mediation of global warming. I argue that global warming should be mediated as: (1) Situated and Intimate, (2) Transhistorical Trauma of Imperial Modernity and (3) Uncanny Undulation. Mediations must overwhelm, disturb and break the binaries of self and other, seen and unseen, here and there, now and then. Recognition and resolution of the material consequences of global warming will not occur otherwise.
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language English
publishDate 2018-12-01
publisher Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
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spelling doaj-art-13ed88ebbfc349e6a7bb8d3260aedeb62025-08-20T03:51:09ZengSimon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)Media Theory2557-826X2018-12-012210.70064/mt.v2i2.939A Manifesto for Media in a Warming WorldHanna E. Morris Global warming is popularly visualized as distant, immaterial and abstract. Images of polar bears and melting icebergs paint climate change as a de-humanized and irrelevant phenomenon. But global warming is anything but irrelevant – it is a very real, very tangible and very material present reality “stuck†to each and every one of us. Global warming is a physical act of unresolved imperial violence – with a disproportionate degree of impact on the “formerly†colonized world. And yet, this violence often goes unnoted. A visual intervention is required. In my manifesto, I propose a set of three intercessions for the mediation of global warming. I argue that global warming should be mediated as: (1) Situated and Intimate, (2) Transhistorical Trauma of Imperial Modernity and (3) Uncanny Undulation. Mediations must overwhelm, disturb and break the binaries of self and other, seen and unseen, here and there, now and then. Recognition and resolution of the material consequences of global warming will not occur otherwise. https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/939
spellingShingle Hanna E. Morris
A Manifesto for Media in a Warming World
Media Theory
title A Manifesto for Media in a Warming World
title_full A Manifesto for Media in a Warming World
title_fullStr A Manifesto for Media in a Warming World
title_full_unstemmed A Manifesto for Media in a Warming World
title_short A Manifesto for Media in a Warming World
title_sort manifesto for media in a warming world
url https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/939
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